It Must Be Real. It Must Be True.

Change of Scenery...

2010-08-08T15:11:00.001-06:00

Please continue to read over at: http://itmustberealitmustbetrue.tumblr.com/

New Pornographers, SLC, July 29

2010-08-03T22:19:00.003-06:00

The New Pornographers with The Dodo's, July 29, 2010.

The New Pornographers played a great set the other night, it was a beautiful night for a Twilight Concert in the park, and it was great to see so many people come out to support them. I have been a huge Neko Case fan for ages, so it was an extra special night for this guy. She sounded great, and loud as always, and the rest of the NP's played a killer set. I left happy, having heard everything I wanted to. The sound was pretty solid and the crowd was the usual unpredictable combination of every age-group we have come to expect from the TCS. I look forward to seeing the NP's down the road...

Arcade Fire - "The Suburbs"

2010-08-02T20:26:00.007-06:00

Arcade Fire - "The Suburbs" Vinyl LP (2x LP Gatefold)

MRG 385

Original Release - 2o1o

"So can you understand why I want a daughter while I'm still young? I want to hold her hand, and show her some beauty before all this damage is done."

The lyrics of Arcade Fire's catalogue are nothing if not dramatic. The new album "The Suburbs" is full of the kind of imagery and emotion you have come to expect from Arcade Fire. What we have here is a perfect marriage of the anthemic nature of "Funeral" and the intimate, foreboding nature of "Neon Bible".

"The Suburbs" works on so many levels. It works as pure sonic pleasure, an instantly listenable album that rewards repeat listens. It works as a stepping stone in the Arcade Fire catalogue, the natural progression of sonic evolution from a band that seems to release each subsequent album under unbearable public expectations. And it also works as a meditation of life, what we all experience, or look forward to experiencing as we get older. The inevitable look over the shoulder at your former self, as you progress ever onward into adulthood and beyond.

"The Suburbs" and "Ready to Start" open the album with an uptempo pace, much like the anthems on "Funeral", its not until "Modern Man" that things settle down into a mid-tempo groove. Win Butler sings "Maybe when you're older you will understand why you don't feel right why you can't sleep at night now in line for a number but you don't understand like a modern man." Lyrics Reminiscent of another excellent 2o1o release from The National "High Violet". Like "High Violet", "The Suburbs" is about change, and how we deal with that change. With "Rococo", we hear Arcade Fire climax into a chorus that sounds like the best of Radiohead, Neil Young, and Bruce Springsteen put in a blender.

A ferocious arrangement of strings and guitars open "Empty Room" while Regine Chassagne sings of loneliness and self discovery. The musicianship is often brilliant early in the album, always exciting and different, if not always as experimental as we usually expect from Arcade Fire.

The exceptional "Half Light I" thrills the listener with pure escapism. The desperate cry for adventure and meaning reminiscent of classics like "Born to Run" and "Thunder Road" will grip you with a longing for an open highway at sunrise: "You told us that we were too young, now the nights closing in and in the half light we run". The song slowly builds with tension provided by Jeremy Gara, and slowly bleeds into "Half Light II (No Celebration)". Never has a desperate world and American economy been described with such beauty, moreover Win describes the eventual decline that sustains us as inhabitants of earth: "Pray to God I won't live to see the death of everything that's wild. Though we knew this day would come, still it took us by surprise. In this town where I was born, I now see through a dead man's eyes". What is it with the Canadians and their natural ability to commentate on our general lack of respect for nature? I'm thinking mainly of the wonderful Neko Case, the legendary Neil Young, and now the introspective Win Butler.

"Month of May" is a natural born rocker that opens Side 3 with a furious backbeat and some funky, experimental guitar work. Here we also have the now famous commentary on the Hipster movement. As someone who has preformed in front of crowds all over the world, I'll take Win's assessment of the situation as gospel. Unfold you're hands Hipsters, enjoy, this is life.

"Wasted Hours", "Deep Blue", and "We Used to Wait" all confront the listener with sounds and lyrics of escape and freedom juxtaposed against the feeling of, well, the suburbs. Towards the end of the album there are many "what does it all mean" moments, "why do I feel this way", and "am I alone in this". We all have these feelings, we all want to find that sense of home and belonging, and we all want to run. How do we deal with change? "When the lights cut out I was lost standing in the wilderness downtown. Now our lives are changing fast. Now our lives are changing fast. Hope that something pure can last." All of Side 3 builds with an immediacy that leads into the beautiful finale that is Side 4.

"Sprawl I" brings to mind the helplessness at the hand of The Man that was presented with such vivid imagery during "The Trial" of Pink Floyd's "The Wall". Helplessness and longing hangs over "Sprawl I" and gives way to the beautiful, driving, and epic "Sprawl II". What sounds like a reworking of "Heart of Glass" (only cooler) the driving beat and voice of Chassange give this listener the chills. An anthem to regain our humanity by, lets not simply accept what someone tells us, lets not just punch the clock: the dystopian police lights are blinding, she is calling for darkness, she is calling for freedom.

"So grab your mother's keys, we leave tonight"

Album - A

Vinyl - The vinyl is presented beautifully in a glossy gatefold (8 different choices). The vinyl is black and standard weight. The vinyl for the most part sounds excellent, but my side 4 has some issues and does not sound as clean as I would expect from new vinyl. B

Its Here...

2010-07-31T09:30:00.002-06:00

The Devil Whale - Slowtrain (SLC) July, 18, 2010

2010-07-20T19:43:00.004-06:00

Music Is A Beautiful Thing

One of the best parts about music as a medium for expression is that it surrounds us on a daily basis. One of the worst parts about music is that (especially these days) you really need to be proactive in finding the good stuff.

Slowtrain has the good stuff.

Slowtrain turned 4 years old this past weekend, and to celebrate, they started a label. Yeah, I like big ideas too.

The first release from Slowtrain Records will be the new album from Salt Lake's own The Devil Whale. If you haven't heard of these guys please pay Chris & Anna a visit and purchase their excellent 2008 release Like Paraders or their 2010 EP Young Wives.

To celebrate, The Devil Whale played a show Sunday night for those who have pre-ordered their new album. It was an amazing, intimate and hauntingly beautiful show. Proof that great music doesn't only happen on the coasts. The show provided an excellent soundtrack to the hot summer night, some old favorites and new songs as well, The Devil Whale proved yet again they represent the SLC music scene better than anyone.

In a move no one expected, Brinton Jones (lead singer) asked his younger sister to join him for Butter For Buns, in what would become the highlight of the evening. A beautiful and haunting song, if you missed it, kick yourself and then watch the video posted below. Astonishing.

It was a great celebration, one that I will not soon forget. Its easy to forget sometimes that music isn't just this magical thing beamed to XM radio from a satellite. Its about true musicianship, community, and just getting people in a room. Its the collective experience that makes it wonderful, it makes it a religious experience for those unsure of anything else in this world except for how music makes them feel.

Thanks to Slowtrain for 4 great years, this city would be totally lame without you.

James Taylor / Carole King - Energy Solutions Arena Salt Lake City, July 15th, 2010

2010-07-19T21:50:00.003-06:00

If you are like me, you could listen to James Taylor play a concert every weekend for an eternity. On Thursday the great Carole King joined him in Salt Lake City. It was a great night for music.

Taking the stage around 7:45 PM, these two old friends worked their way through all the classics, and in excellent fashion if I may say so myself. While at 68 Carole's voice has suffered the effects of age, James sounds as good as ever, clear and warm. He had me thinking of women and glasses of beer.

The original backing band from the Troubadour days was present, and they really rocked. The acoustics in the ESA are always questionable, but Thursday night seemed to be on the better end of the spectrum. I think its a combination of the talent present, and the softer, more acoustic setting of the show.

Some highlights of the night include: "Sweet Baby James", "Country Road", and "Up On The Roof". A good time was had by all.

Set List:

Something In The Way She Moves (James Taylor)
So Far Away (Carole King)
Machine Gun Kelly (James Taylor)
Carolina in My Mind (James Taylor)
Way Over Yonder (Carole King)
Smackwater Jack (Carole King)
Country Road (James Taylor)
Sweet Seasons (Carole King)
Mexico (James Taylor)
Song Of Long Ago (Carole King)
Long Ago And Far Away (James Taylor)
Beautiful (Carole King)
Shower The People (James Taylor)
(You Make Me Feel Like) A Natural Woman (Carole King)
Set Two:
Where You Lead (Carole King)
Crying In The Rain (Duet)
Secret O' Life (James Taylor)
Sweet Baby James (James Taylor)
Jazzman (Carole King)
Will You Love Me Tomorrow? (Duet)
Your Smiling Face (James Taylor)
It's Too Late (Carole King)
Fire And Rain (James Taylor)
I Feel The Earth Move (Carole King)
You've Got A Friend (Duet)
Encore:
Up On The Roof (Duet)
How Sweet It Is (To Be Loved By You) (James Taylor)
Encore 2:
You Can Close Your Eyes (Duet)

Paul McCartney - Rio Tinto Stadium Salt Lake City, July 13th, 2010

2010-07-19T20:42:00.005-06:00

I am happy to report to my faithful readers that I have seen a Beatle. Life is good.

Paul McCartney brought his short North American Tour to Salt Lake City on July 13th, to a sold out Rio Tinto Stadium. This was Paul's first ever show in Utah, and I was there to revel in the glory.

Everyone has a Beatles stage, mine started when I was 16 and well, its still going. A catalogue so beautiful it belongs in the world's finest museums. When this guy heard Paul was rolling through town... price was not an object.

Paul came out at 8 PM to thunderous applause and ear shattering screams, the sun was setting, and we were off. A set list (listed below) heavy on Wings material in the beginning, covered his entire career. From Beatles material, to Wings, and beyond. The 40 + song set list was a stunning testament to one of the finest lyricist the world has ever seen.

Some highlights from the night include "The Long & Winding Road", "Live & Let Die", "Back In The U.S.S.R", "Hey Jude", "Let It Be", "Get Back", "Highway", and "Dance Tonight".

You know me, I go to a lot of concerts. This is without a doubt, the best arena show I have been to, and it could be the best show period. Paul brings more to the table than most half his age (68), and for 3 solid hours, he wowed the audience, and reminded them that Rock & Roll never forgets.

Set List:

1. Venus & Mars
2. Rock Show
3. Jet
4. All My Loving
5. Letting Go
6. Drive My Car
7. Highway
8. Let Me Roll It/Foxey Lady
9. The Long and Winding Road
10. Nineteen Hundred and Eighty Five
11. Let 'Em In
12. My Love
13. I've Just Seen a Face
14. And I Love Her
15. Blackbird
16. Here Today
17. Dance Tonight
18. Mrs Vandebilt
19. Eleanor Rigby
20. Ram On
21. Something
22. Letting Go
23. Sing the Changes
25. Band on the Run
26. Ob-La-Di, Ob-La-Da
27. Back in the USSR
28. I've Got a Feeling
29. Paperback Writer
30. A Day In the Life/Give Peace a Chance
31. Let It Be
32. Live and Let Die
33. Hey Jude
34. Encore: Day Tripper
35. Lady Madonna
36. Get Back
37. Encore: Yesterday
38. Helter Skelter
39. Sgt. Pepper's Lonely Hearts Club Band (reprise) / The End

Broken Social Scene - "Forgiveness Rock Record" Vinyl LP

2010-07-11T13:46:00.004-06:00

Broken Social Scene - "Forgiveness Rock Record" Vinyl LP

A&C054

Arts & Crafts

Produced by John McEntire & BSS

Original Release - 2010

BSS is an interesting case study of modern indie-rock. They are critical darlings, the Daniel Day-Lewis of indie, emerging and re-forming every few years to release a highly touted album. BSS has more members and ex-members than British Parliament, this sentiment expressed with comedic excellence by Texas Travesty in 2009:

Campus Spotlight

Michael Prohaska
That guy who played with Broken Social Scene once

Texas Travesty:So how has your life changed since the big show?
Michael Prohaska: Oh, it's great. I'm a true rock star now. All my friends have told me that I've changed a lot, and that I act differently around them. But that's OK, I don't really need friends that aren't already rock stars.
TT: What's the next the step in your musical career? Any big projects lined up?
MP: Now that I'm basically a member of BSS, I'm currently working on a few side projects, including my upcoming solo project with whale sounds and sitars called "Electric Birth Canal," as well as a few local gigs, you know, to stay true to my roots.
TT: How did you did you get the opportunity to play with such a prominent indie act?
MP: Well, I knew that some of the songs had trumpets on the track, and I thought I would make a great addition to the band. I snuck in backstage to the rehearsal early in the day by tasering several members of the security team. It only took two measures of my sweet trumpet riffs and the band had to have me. The security guards recovered and we all had a good laugh about it later.
TT: Any advice for the rest of us trying to hit it big?
MP: Just remember: People only think you're as great as you tell them you are.
Turn-ons: French horns, light jazz, Canadians, female vocalists, amphitheaters, great crowds, selling out the big show, breakin' da rulez, European folk music, French wine, proper tuning

Turn-offs: scalpers, major record labels, cultural "norms," people who only got into BSS after they hit it big, people who say I sold out, carbon emissions, parents

BSS's "Forgiveness Rock Record" is an excellent album. As an added bonus, it has been released with the "Lo-Fi For The Dividing Nights" EP. We know what to expect from BSS and they deliver with inventiveness and experimentation. "World Sick" kicks off the album with swelling guitars and harmony, while "Texico Bitches" provides the perfect rhythm and lyrics for a sunny drive down the highway. We experience some tempo and mood changes on side B with "Art House Director" and "Highway Slipper Jam".

This is an album made by people who are comfortable in their skin, they don't try to do to much, and they know how to keep it loose. Recently I read an extensive article on BSS in Filter magazine. It covered four seasons with the band, notably over the winter holidays in Canada, where BSS played a somewhat impromptu gig at a poetry reading. Thats just how they roll, hang out and drink a few pints, and then take the stage with a replacement drummer, keeping it loose and charmingly sloppy. BSS fans never know what to expect from a live show, except that it will be the most unique and unpredictable show of the season.

With "Ungrateful Little Father" I can't help but hear echos of Wilco's "Yankee Hotel Foxtrot" not only sonically but lyrically as well.

Side C opens with the driving beat of "Meet Me In The Basement", a epic instrumental that leads into the more melancholy "Sentimental X's". Which leads to the even more subdued "Sweetest Kill" an obvious standout from this album.

"Water In Hell" is BSS at their best, seeming to indulge every Rock & Roll instinct they possess before winding down for the closing "Me and My Hand". An excellent album by an excellent super-group, I would recommend you pick it up.

Album - B+

Vinyl - A (A nice double LP set on excellent sounding vinyl. Also comes with the download codes for the entire album, plus a CD EP).

New She & Him Video

2010-07-11T13:17:00.000-06:00

She & Him

"Thieves"

Volume II

Merge

Arcade Fire - "The Suburbs"

2010-07-10T21:48:00.004-06:00

Next month, one of the top bands on the planet will release their new album. Arcade Fire will release "The Suburbs" on August 3rd. With this release comes a tour and they will also be headlining Lollapalooza (Ashley: I'm jealous, take me with you). This highly anticipated release will without a doubt be one of 2010's albums still standing in the album of the year race in a few months. Suffice to say, I am anxiously anticipating this release. A photograph of the album artwork is below, and if you would like more details, a letter follows that. Check your local independent record store for the new 12'' limited edition single from the band.

Sleigh Bells - "Treats"

2010-07-09T22:26:00.006-06:00

Sleigh Bells – “Treats”

2010

N.E.E.T.

I’m not sure you can handle this. I was a little skeptical myself, but this new album from the Brooklyn based Sleigh Bells is pure noise-rock magic. Akin to the famous adrenaline shot scene from “Pulp Fiction”, “Treats” starts and never lets off the gas. You are most likely to end up with a headache at some point, but don’t worry, in the end its all worth it.

This is an album of extremes, with Alexis Krauss’ sweet bubble-gum voice transposed against sometimes shrill and violent rhythms of guitar and percussion. Listen to “Rill Rill” transition into “Crowns on the Ground” and you will hear what I mean. Creativity flows like wine here, and album than begs to be turned up to max volume, a festival of sound for the ears.

Sleigh Bells share a record label with international superpower M.I.A. but don’t expect the same philosophy; Sleigh Bells know when to attack and when to live in the moment. Take “Kids” which should remind you of MGMT’s monster hit by the same name, its one of many sub 3 minute jams that define “Treats”.

Any competent hip-hop artist like Kanye West or Jay-Z would kill to sample the hell out of this album. They could work wonders with a remix of “Run The Heart” or “Rachel”. The latter reminding me of a post-apocalyptic dance track for the barren wasteland. Or maybe a soundtrack to a sunset over our now ruined Gulf Coast, Hauntingly beautiful nonetheless.

“Rill Rill” feels like a mash up between the sweet sensisbility of She & Him mixed with the sonic wonder that is Phoenix. A breezy ode to 70’s folk-pop, with a modern spin. It will have you feeling good driving on a sunny afternoon.

Word on the street is Sleigh Bells puts on a killer live show, and I have no doubt they do if they are able to bottle the magic in “Treats” for the audience.

Sleigh Bells have made banner headlines in the indie world this yeah, so make sure you see them now, before the mainstreamers get a hold of them.

Album - A -

A Massive Weekend

2010-07-08T20:13:00.006-06:00

The Hold Steady - The Cabooze, Minneapolis

7/3/10

I've been a Hold Steady fan since I was in college, and have been preaching the gospel of the Unified Scene ever since. The combination of imaginative non-linear storytelling and classic rock riffs have captivated this listener for years. I had seen them once before, at the Urban Lounge in Salt Lake City, but this time I got to see them in Minneapolis, a homecoming of sorts for both parties. I was treated to two massive nights.

The stage was set for an epic show, it was my first time to The Cabooze and I can't wait to return. The Whigs treated the crowd to a capable set, but when The Steady took the stage, everyone in the Twin Cities area new it. It was hot and muggy, the beautiful midwestern evening was torn apart by the opening chords of "Stuck Between Stations" and we were off. Next came "Rock Problems", "Magazines" (epic intro with the added guitar btw), and "Navy Sheets".

It pains me to say it, but the Hold Steady live experience has not diminished with the departure of Franz, if anything they sound better, and bigger. Heavy guitars lend that unique feel to the songs soaked in references to Minneapolis and desperate characters seeking redemption. It was loud, it was fast, it was unified.

It was a special evening in the Midwest and I'm happy I could spend it with one of the best bands on the planet. The crowd-pleasing setlist was pretty amazing too:

Stuck Between Stations

Rock Problems

Magazines

Navy Sheets

Chips Ahoy

Hurricane J

Sequestered In Memphis

Stevie Nix

Multitude of Casualties

Sweet Part of the City

Constructive Summer

Hot Soft Light

Barely Breathing

You Can Make Him Like You

Lord, I'm Discouraged

Stay Positive

Southtown Girls

You're Little Hoodrat Friend

Massive Nights

Slapped Actress

Encore

The Swish

Sweet Payne (For The East Sider's!)

The Weekenders

How A Resurrection Really Feels

The Hold Steady - First Avenue, Minneapolis

7/4/10

This is the best possible way to spend the 4th of July. With the Hold Steady. We got in line early, met some nice people on the rail, and were treated to PBR's by these clever kids from Iowa. The Unified Scene was out in force to see a band that is best seen in this venue. Not only is it mentioned in many of their songs, but its a local landmark, and a stage this band build their name on.

They opened with "Sweet Part of the City" which on this night, was right at the heart of Minneapolis. The setlist was an oldschool fan's dream, and the sound in First Ave was second to none. Its by far the best live music venue in the country. Yours truly had a front row center spot, right under Craig Finn, sweet.

A Hold Steady show is a unique experience. When you realize you are seeing one of the great bands of our time, in an all time great venue, in the front row, it just hits you. Like it hit me during "Stuck Between Stations", the crowd was crazy, it was hot and insane, soaked in sweat and beer time just slips away. Nothing else matters but the moment you are sharing with the others in the room. Its as close to a religious experience as this clever kid has had in 24 years. I'll never forget it.

The Steady brought out some old school jams like "Killer Parties", "Positive Jam", and "Barfruit Blues". It was great to see them simply enjoy the moment, its been quite a journey:

Sweet Part of the City

Barfruit Blues

Rock Problems

Sequestered In Memphis

Hurricane J

Cattle & The Creeping Things

The Swish

Magazines

You Can Make Him Like You

We Can Get Together

Ask Her For The Adderall

Bangin' Camp

Soft In The Center

Hornets! Hornets!

Chips Ahoy!

First Night

Stuck Between Stations

Stay Positive

Massive Nights

A Slight Discomfort

Encore:

Positive Jam

The Weekenders

Most People Are DJ's

Killer Parties

Thanks guys, I needed that.

The Tallest Man On Earth - "The Wild Hunt"

2010-06-16T20:35:00.006-06:00

The Tallest Man On Earth - "The Wild Hunt" Vinyl LP

Dead Oceans DOCO40

Original Release - 2010

"Oh meet me when the morning falls on the fields of desire" sings The Tallest Man On Earth aka Kristian Matsson, on the closing of track of "The Wild Hunt" called "Kids On The Run". If this lyric sounds like something you might be interested in, please read on...

Kristian Matsson is on the run. A modern day troubadour, who has been compared to Bob Dylan one too many times. I'll attempt to set the record straight, yes, he does remind me of Bob Dylan but his purpose is not to be an imitator. In fact, he channels many artists on this sophomore release, including Van Morrison and Bruce Springsteen with amazing results. The element of "The Wild Hunt" that works so well for him is he is true to his voice, and he is true to his path.

Full of beautiful imagery, Scandinavian myth, and the thirst for adventure, "The Wild Hunt" flies by in a flash. This is beautiful folk music, from "You're Going Back" where Matsson sings "I could roll you to hell, I could swim from your heavens" to the rollicking "King of Spain", to the undoubtedly Springsteen inspired "Kids On The Run". This closing track sounds something akin to a subdued B-side from "Born To Run".

The thing I like best about this album is that Matsson seems to effortlessly convey the beauty of an adventure and its landscape with his words and music. His phrasing is perfect, and his voice is just weathered enough, and not overly produced. I cant wait to hop a train and take another adventure with The Tallest Man On Earth.

Album - A -

Vinyl - A - (includes download codes)

Blazin' Jimi Hendrix Post

2010-06-14T20:24:00.004-06:00

In the mood for a truly smokin live cut of "Fire" or a bucket of blood cover of "Wild Thing"? Well, once again folks Jimi delivers on "Live At Clark University". These recordings were from the March 15, 1968 concert at Atwood Hall. This EP is an official Jimi Hendrix bootleg released exclusively for RSD, and let me tell you, its fantastic.

A Band You Don't Know But You Should...

2010-06-14T19:57:00.004-06:00

If you are from Minnesota you know the Gear Daddies, plain & simple, they are a local institution. For years in the 90's the Gear Daddies played second fiddle to more influential alt-country acts like The Jayhawks, and Uncle Tupelo. The Gear Daddies have a cult following, that will sell out reunion gigs at The Fine Line or O'Gara's in minutes (I know, because I have tried to get tickets). "Billy's Live Bait" is my favorite Gear Daddies album. A catchier and more accessible album than the also popular "Lets Go Scare Al". I have to say this would be a desert island disc/record for me, full of classics like "Stupid Boy", "Time Heals", "Gonna Change", and of course the hidden track "Zamboni Song". A St. Paul summer staple that brings back the memories of summers and winters of old. Bring it to the lake or the ice rink, and let the good times roll.

Sunday Revival

2010-06-13T13:28:00.001-06:00

Take a break from the World Cup and revive with this clip of Neil Young and Sir Paul McCartney jammin. Two absolute legends playing "A Day In The Life" which happens to be my favorite track off Sgt. Pepper's. Enjoy...

Sunday Revival

2010-06-06T16:18:00.003-06:00

Ahh yes, the sounds of summer return like clockwork. This gem from Tom Petty & The Heartbreakers has been in heavy rotation on summertime drives for years, and this summer is no exception. "You Don't Know How It Feels" was made for sunshine, and the open road, and of course the beach. Since Stark The Vinyl Shark is landlocked at the moment, I'll have to stick with the open road.

Enjoy the weather, and when you head out, don't forget the Heartbreakers.

MGMT In The Venue Salt Lake City, June 4 2010

2010-06-05T15:36:00.002-06:00

MGMT played a sold out show in Salt Lake last night at In The Venue. This was my first trip to this SLC venue, and it turns out its a pretty good spot to catch a show.

Stark The Vinyl Shark first spotted the MGMT tour busses parked outside The Hotel Monaco while out to lunch and a few hours later I was awaiting their performance while taking in their opening act.

MGMT's psychedelic rock show was a bit disjointed but found its way towards the end of the set. The set was split about 50/50 between their previous and new albums and their sound was pretty good, though I could have used some more volume.

Highlights include "Time To Pretend", "Weekend Wars", "Electric Feel", and the traditionally uninspired "Kids". A good time was had by all.

Sunday Revival

2010-05-30T12:43:00.002-06:00

Stark the Vinyl Shark checking in here on this long weekend. Hopefully you are enjoying some tasty beverages and some nice weather. I have been under the influence of LOST for the past week, so posting has been put aside. Here is a killer Jenny Lewis live take of "Acid Tongue" in 2008. Redeem yourself.

Charting The Beatles

2010-05-24T20:02:00.003-06:00

I happen to think this chart is astonishing. I came across it in another music blog and thought I would share it with my faithful readers. This chart breaks down the activities of The Beatles from 1963 - 1966. Three years. THREE YEARS PEOPLE!

I know there has been a lot of Beatles backlash over the years. It seems that just as many people decide not to like them because of their prevalence, as those who discover and start a life long love affair with The Fab Four around age 13 or 14. This chart really shows that The Beatles are truly a band for the ages, undeniable talent and output that may never be surpassed.

There is a lot of interesting information on this chart. I would love to see it expanded through 1969. In 1963 they are really touring almost the entire year, with bits of recording throughout. This evolution of recording timeframe would carry them through the end of the Beatles, with almost no touring at the end, choosing to stay in the studio for long stretches of time, producing the masterpieces of a lifetime.

The entries into the second half of the Beatles catalogue ("Sgt. Pepper", "Let It Be", "Abby Road", "The Beatles") I would stand up next to the greatest works of art in the history of the human race. Not only the greats of classical music, but of artists as a whole. Not only was this a great period for music, it was a generation that proved: All you need is love.

Paul, I'll see you July 13th.

Sunday Evening Revival Post

2010-05-23T18:52:00.004-06:00

This is a new series for the Vinyl Blog. These will be special weekly selections to help cleanse you're ears of what passes for "music" during the week. These will be the finest cuts, just for you, in an effort to re-affirm the meaning of music in your life. We are starting this week with a selection from the famous Howlin' Wolf "Shake It For Me". If you like blues music and want to hear more from Howlin' Wolf I would recommend "The London Howlin' Wolf Sessions" featuring legendary artists like Eric Clapton, Steve Winwood, and Charlie Watts/Bill Wyman from the Rolling Stones. Excellent blues jamming going on there. Enjoy this cut. Until next time, keep em clean and keep em spinin'.

The Rolling Stones - "Exile On Main St" Anniversary Edition Vinyl Remaster

2010-05-21T22:32:00.006-06:00

The Rolling Stones - "Exile On Main St" 2x LP 18o Gram Vinyl Edition

B0014203-01

UMe

Original Release - 1972

Anniversary Release - 2010

Producer - Jimmy Miller

Recorded - Chateau Nellcote, France

Mixed - Sunset Sound, Hollywood California

18 Tracks to Redeem Your Soul

Everyone knows the story. By 1972 The Stones were literally exiles. Leaving the UK to evade heavy taxation they set up shop in the south of France to record what would come to be known as "Exile On Main St". This album is not only known as the greatest album in the Stones catalogue, but one of the greatest in the history of rock & roll.

Chateau Nellcote was the home to the majority of the fractured recording sessions. Often taking place in the muggy basement, these drug fueled recording sessions often lasted all night.

During 1971-1972 the exiled band mates were literally on the run. On the run from the oppressive taxation in their home country, on the run from the police in France, and on the run from their own personal demons they imported to Nellcote.

The whoring, boozing, drugs and general debauchery is evident throughout the album, especially side A. The famous down beat from Charlie Watts starts "Rocks Off" with a bang. What follows is 66 minutes of blues soaked rock & roll that plays more as a soul revival than album. With Keith Richards at the creative helm, side A flies by with heartfelt beats, Delta blues style guitars, and a soulful bass line from Wyman. "Tumbling Dice" takes center stage as a mid tempo ode to life in the fast lane: "Always in a hurry, I never stop to worry, Don't you see the time flashin' by. Honey, got no money, I'm all sixes, sevens, and nines".

Side B opens with the bluesy classic "Sweet Virginia". This may be as delicate as The Stones get, but interestingly enough it makes for just as thrilling a listening experience as their uptempo classics. With "Sweet Virginia" you get the sense that this band is a fighting band, they may have been on the ropes, but they will not give in. Mick Jagger's ragged vocals and harmonica add substance to this track, but its the bass line and honkey tonk piano that brings this track to life. Near the end you get the sense that you have been up all night, maybe all month. Strung out and determined you still have miles to go before you sleep.

With "Torn & Frayed" we have Al Perkins on steel guitar (nice touch) and Mick Taylor on bass. A classic Stones rocker, "Torn & Frayed" displays The Stones and their love for American music, especially the Delta Blues. You don't have to look far to see the influence of American blues masters, as it is evident on every track. This is a true "bucket of blood" album. Strap yourself in and prepare for a ride.

There are few albums where the studio shines as an instrument. With "Exile On Main St" you can hear the room, and it adds such texture to the experience, especially the percussion on "Black Angel". This is brought to life by the vinyl remaster which (thankfully) enhanced the recording without washing away the character and imperfections that make this album perfect.

Side C opens with the Keith Richards song "Happy". Written and cut during some of "Exile's" most turbulent sessions. By this time Richard's heroin use was affecting the entire band, but out of this conflict emerged a sweaty, push and pull rock album for the ages.

"Shine a Light" the best track on side D and a contender for best track on the album has Billy Preston tickling the ivories (yes, that Billy Preston) and Mick Taylor on bass. This track brings the album full circle, though "Soul Survivor" closes the album, this is the emotional conclusion to "Exile On Main St".

If we are to trust the lyrics of "American Pie", that rock & roll can indeed save our soul, one must start with "Exile On Main St". Though this an "imperfect" album, made by "imperfect people" it is out of the ashes that this album rises to lay legitimate claim to the title of greatest rock album of all time.

This Anniversary edition vinyl is pressed on 180 Gram black vinyl and comes in a replica of the original vinyl release. There are no bonus tracks on the vinyl edition, but Stark The Vinyl Shark has acquired the bonus tracks which include "Plundered My Soul", "I'm Not Signifying", and alternate takes of "Soul Survivor" and "Loving Cup". An interesting look back at hidden gems from one of the most infamous recording sessions in the modern rock era. The vinyl sounds great, if not slightly compressed (what did you expect) and will serve as a fine play copy until I can track down a original.

Album - A+ (This is JCSTARKvinylblog history in the making, so savor this moment Mr. Reid)

Vinyl - B

Recent Acquisition

2010-05-20T20:13:00.003-06:00

Neko Case - "Canadian Amp"

The National - "High Violet" Vinyl LP

2010-05-18T20:53:00.004-06:00

The National - "High Violet" Vinyl LP (2x 18o Gram Vinyl)

CAD 3XO3

4AD

Producer - The National

Original Release - 2o1o

This is a front runner for album of the year, right out of the gate. May 2o1o has been more than generous to music lovers, and we are only 1/2 through the month. With "High Violet", The National return with their 5th set of songs: its arguably their best.

The National is a band you won't quite be able to explain, is it the powerful yet delicate baritone of Matt Berninger? The blistering chorus or guitars? Or even the lyrics, which manage to be sad, hopeful, funny and horrifying all at once? Its ultimately up to the listener to decide, but if you find yourself with a (hopefully legally acquired) copy of this album, know you are ahead of the curve.

The National have released some incredible albums. "Alligator", "Boxer", and now "High Violet" complete a (unofficial) trilogy of (almost) flawless music making. Its a mixture of Johnny Cash and Arcade Fire that will leave your ears buzzing, and hanging on ever phrase presented to you. It is a trilogy that can be appreciated on many different levels, all at one time. "High Violet" touches on many themes, many of these themes we can all relate to, and there are some we cannot. There are lovers, bars, imagery that will blow your mind ("Bloodbuzz Ohio"), and yes there are zombies.

"Its a terrible love, and I'm walking with spiders" opens "Terrible Love", probably the best track one side one of The National's catalogue. You know when you hear those words sung with that voice, you are about to embark on a journey. Don't worry, Mr. Berninger will happily take you on a guided tour of his fears, regrets, and moments of triumph. Its a journey worth taking.

This record is what Stark The Vinyl Shark likes to call a slow burner. Case in point: "Sorrow", "Lemonworld", and "England". The National will never take you by the neck and shake you, but if you listen closely, the songs begin to build like a fire and before you know it the thought of leaving your single life for one dedicated to small people who wholly depend on you sounds like the most horrific yet satisfying transition life has to offer.

The shining moment "High Violet" has to offer comes on side B with "Bloodbuzz Ohio", which is probably my favorite song not only off the album but of The National's entire library. Take a listen and prepare to be taken away, and epic track that proves The National is one of the best bands in America today.

Here we have the first clear cut front runner for album of the year 2o1o, though its only May, there have been many strong releases, I can't wait to hear what the rest of the year has in store. This double LP is housed in an amazing heavy duty gatefold, its pressed on black 18o gram vinyl, and the sound is terrific. It also comes with the download codes for the entire album.

Album - A-

Vinyl - A-

Recent Acquisition

2010-05-18T20:49:00.001-06:00

The Hold Steady - "Heaven Is Whenever" Vinyl LP

2010-05-09T15:48:00.004-06:00

The Hold Steady - "Heaven Is Whenever" Vinyl LP

VR 595

Vagrant Records

Original Release - 2010

First I must admit that I am a huge fan of The Hold Steady. I am always excited when they release an album, and for me to criticize them is very hard. So I will try my best to give an even handed review of their newest release "Heaven Is Whenever".

A new Hold Steady album must first be judged against the previous releases from this Minneapolis via Brooklyn rock band. Its hard to beat the trilogy of "Almost Killed Me", "Separation Sunday", and "Boys & Girls In America" the latter being my favorite album of the last decade. The against all odds characters, and thrilling musicianship presented in these albums made The Hold Steady critical and fan favorites. With "Stay Positive" the group moved into more theatrical territory while still staying true to their anthemic refrains. With "Heaven Is Whenever" The Hold Steady have made their most introspective album to date, a more mature and calculated release. Craig Finn said this album would be less anthemic than previous releases and to a point he is correct. The bar anthems are still here, I'm looking at you "Hurricane J", "Rock Problems", and "We Can Get Together" but the majority of the album is The Hold Steady meets Stones circa "Exile On Main Street" meets classic Bruce Springsteen & The E Street Band. This isn't a negative, and our boys are not in danger of crossing the "Dad Rock" line as Wilco did with their release 'Sky Blue Sky". I feel this is the obvious progression artistically for the band, a reflection point for the last ten years and four albums.

"Heaven Is Whenever" has a promising start, "Sweet Part Of The City" which is Finn and Kubler doing their best Jagger/Richards "Exile On Main Street" groove. Old School fans will notice this sounds a lot like "Charlemagne In Sweatpants" of "Separation Sunday". We can welcome back Tad Kubler on guitar in "Soft In The Center", which boasts power chords that will surely burn down First Avenue sometime this summer, also a killer solo where Tad totally slays it. Here we are met with the first lyrics of reflection and advice from Craig Finn, a theme that is present throughout this album. The first of the anthemic, classic Hold Steady rockers is "The Weekenders", which will surely be a live favorite for old and new fans alike. "Rock Problems" features classic punk influences, and guitar riffs that seem just a little to easy when compared to previous offerings.

"We Can Get Together" basically sums up the philosophy of the band, the same characters are present, but with different names. The hoodrats, and the townies, the passers-by and the not so innocent girls of previous albums, though their stories seem more muted than we are used to. The lyrics in this album seem more observational, and less street level than before, but whats new here is not necessarily negative. "Hurricane J" will probably be the track of Summer 2010, a hard rock offering with a final thirty seconds that will blow your mind. The Hold Steady is known for having killer closing tracks, from "Killer Parties" to "Slapped Actress", this album is no different, it closes with "A Slight Discomfort" which slowly builds into a crescendo of backing vocals and military style drumming from Bobby Drake. It fades to the sounds of a midwestern night, calm and peaceful. I hope this sense of calm is only a breather, and not a sign the boys are content with their current situation.

This album is housed in a glossy case and includes lyrics sheet. It is 180 gram vinyl that sounds very nice, it also comes with the mp3 download codes.

Album - B

Vinyl - A

The Jayhawks Re-Issued (Finally)

2010-05-08T22:50:00.004-06:00

Being from Minnesota I'm a Jayhawks fanatic, it just comes with the territory. I am pleased to announce that the long lost "Bunkhouse" album will be re-released this month. Lost Highway is releasing these original 13 tracks on CD and limited edition vinyl on May 18th. This is HUGE!

Observations...

2010-05-06T19:52:00.005-06:00

From a Night In Vegas

The Dave Man and I spent last Saturday night in Vegas taking in the sights and sounds of Sin City. The main reason for the trip was to see our long time late night buddy Mr. Conan O'brien. It was a short, but great trip. I thought my readers would enjoy a few observations. All times are approximate.

9 a.m. - "Zero" by New York's Yeah Yeah Yeahs provides great entertainment while waiting in the McDonald's drive through.

11:3o a.m. - Crystal Castles is perfect for the open road.

12:oo p.m. - The only reason Dave Rock knows more about music than I do is because he has satellite radio.

12:45 p.m. - LCD Soundsystem's "Pow Pow" is a toe tapping breath of fresh air.

12:51 p.m. - Yes, this song is still going...

1:30 p.m. - The new single from MGMT "Flash Delirium" is a pop masterpiece in the tradition of "Pet Sounds" and "The Beatles".

2:30 p.m. - When all you want to hear is the Hold Steady's new single "Hurricane J" the radio God's will always play with your emotions.

3:oo p.m. - Blackjack is a cruel mistress.

3:35 p.m. - The Kentucky Derby (Which happens to be the 'main' race on Derby Day) is a helluva lot more interesting with money on it. Especially with a last minute push from #7.

5:oo p.m. - Sometimes you just gotta eat.

7:3o p.m. - Blackjack is a cruel, cruel mistress.

8:4o p.m. - "Don't worry, we're money baby"

10:3o - Everything is automatically better when you add the inflatable bat from the Bat Out Of Hell Tour:

11:3o p.m. - Conan is not only better than Leno, but he is also better than Carson. Yeah. Thats right.

1:30 a.m. - I love Blackjack.

2:30 a.m. - "Empire State of Mind" is still a great song, but mostly because I don't listen to the radio.

2:45 a.m. - I love Black Label, Blackjack, and David's advice.

3:45 a.m. - "Hailey, you aren't a Scientologist... ARE YOU?"

4:15 a.m. - There is a time, and a place for Lady Gaga.

5:3o a.m. - "You pay for the cab, and I hope its 10 bucks and you have to pay with a 100 dollar bill"

unknown time - "This is a good bed"

She & Him - "Volume Two"

2010-04-25T18:15:00.003-06:00

She & Him - "Volume Two" Vinyl LP

MRG354

Original Release 2010

At the start of "Me And You" Zooey Deschanel sings "Well I'm back in your good graces again", I'm not sure she ever wasn't. The easy breezy duo of indie-pop Zooey Deschanel and M. Ward are back for another album of fun in the California sun with "Volume Two". What works here on "Volume Two" is exactly what worked on "Volume One", which is part of the problem. With lyrics penned by Deschanel and orchestration and production by M. Ward, this collection of songs never really leaves the comforts of "Volume One".

Yes, Deschanel (who almost singlehandedly represents the current indie movement) has a great sultry voice, but it's a voice I almost don't believe. After a listen to this you can hardly blame the poor Joseph Gordon-Levitt for falling for Summer in the fantastic Sundance Selection (500) Days Of Summer. Yet, at the core of these salty and sunny songs is Deschanel, who sounds like she has exclusively broken hearts for a living since 1996. Which isn't a weakness per se, except its almost exactly the formula that made "Volume One" so refreshing.

I love the feel of this album, at the right time, and the right place. The vintage packaging and artwork is classic Deschanel, but the overall experience is nothing more than a sequel to their first effort. A little more creative direction would have worked wonders here.

Album - C+

Vinyl/Packaging - A (Sounds and looks great).

The Flaming Lips, Star Death & White Dwarfs With Henry Rollins and Peaches - "Dark Side Of The Moon"

2010-04-25T17:04:00.006-06:00

The Flaming Lips, Star Death & White Dwarfs With Henry Rollins and Peaches - "Dark Side Of The Moon" Vinyl LP (Color Vinyl RSD Exclusive).

WB 523541-1

Original Release - 2010

OH MY GAWD ITS THE FLAMING LIPS!

Finally getting around to cracking some of these vinyl exclusives open from RSD last weekend. I have been on a long and strange trip with The Lips this afternoon and can't wait to tell you all about it. I was a little concerned going in, since Dark Side Of The Moon is one of my all time favorite albums, but now I know if anyone had it in them, it's The Lips. While staying true to the original, The Lips and Co. have etched out a sonic tribute that I think Floyd, and the always hard to please Floyd fans can be proud of. While "Speak To Me" is a faster tempo than the original, its still feels right with The Lips at the helm, awkward, crazy, and a warning of things to come its the perfect lead in. The Lips and Co. sound at ease with "Time", and its hard to believe the original could be improved on, I like how the "Breathe Reprise" brings us right back to the tempo we started at. Did I mention this pressing (Seafoam Green Vinyl) kicks ass? The sound is amazing, I can't wait to compare it to my MFSL pressing of "Dark Side Of The Moon". "Great Gig In The Sky" featuring Henry Rollins and Peaches is the perfect conclusion to side one, this is one of those rare covers thats actually worthy of the original.

"Money" sounds dirty and grungy at the start of Side Two, and the robotic/futuristic voices add an extra kick to this classic track. What I like most is they didn't try to do too much here, they just added some Lip's flair when needed, and let the creative genius of Roger Waters speak for itself.

"Us And Them", my favorite track of "Dark Side Of The Moon" is not more beautiful than the original, but is damn close. Like a brilliant starry night, this album will continue to open the minds of each generation that discovers it. Now we have an alternate take, provided by arguably this generations most creative groups.

This album is housed in a heavy duty gatefold (gorgeous) and includes a CD of the entire album (Bonus!). The heavy-weight vinyl is Seafoam Green (in my case) and sounds incredible, my ears have been enjoying the brilliant sound all day. If you can find one, pick one up, you will hopefully love it as much as I do.

Album - A-

Vinyl/Packaging - A

Summer Concert Season

2010-04-22T20:53:00.002-06:00

Ladies and Gentlemen, the much anticipated Summer Concert Season or SCS for short is here. There are a lot of great bands on tour, and only a few months to cram them all in (depending on where you live). So lets get down to it, here are the bands I actually have a ticket to and some speculation on some other events in the SLC area.

U2 - June 3, Rice Eccles Stadium. Salt Lake City.

MGMT - June 4, In The Venue. Salt Lake City.

U2 - June 27, TCF Stadium. Minneapolis.

James Taylor/Carole King - July 15, Energy Solutions Arena. Salt Lake City.

The Devil Whale - July 18, Slowtrain Subterranean. Salt Lake City.

Dave Matthews Band - August 17, USANA Amphitheater. Salt Lake City.

I think thats a good start. Now for a little speculation. The Twilight Concert Series is indeed on for this summer, so don't make plans for Thursday evenings in July and August. I am going to bet that the New Pornographers make an appearance. This is based on their touring schedule during this time, and they just happen to be the type of band that would totally rock this event. I would love to see Neko Case, since I was still living in Minnesota the last time she came through Salt Lake. Lets keep our fingers crossed here people. Also, a less safe bet would be She & Him, another group that would do well in the TCS environment. I will keep you posted when I know more details, which should be official sometime in the next few weeks.

Bob Dylan - "The Freewheelin' Bob Dylan"

2010-04-21T21:16:00.003-06:00

Bob Dylan - "The Freewheelin' Bob Dylan" (180 Gram Vinyl)

Columbia/Sundazed LP 5115

Original Release - 1963

Two things I need to get out of the way:

1. I'm reviewing Dylan vinyl while listening to The Sex Pistols, try it sometime. I feel like I have hit a creative groove with Sid's interpretation of "My Way" on, brings back memories of one of the finest films ever to hit the silver screen: "Goodfellas".

2. Some readers have expressed concern over my grading system. To some, I seem to give high scores... all the time. Well, I think the best way to explain this is I listen to excellent music, and how can you not give A's to classics like "The Freewheelin' Bob Dylan"? I think its against the law, I haven't checked, but I'm pretty sure.

Lets start with the iconic photograph that graces the cover, by Don Hunstein. This is an iconic photograph if there ever was one, Dylan and a companion walking together in the snow filled streets of NY. I bet you can picture it just from that description.

Photographs of Dylan, especially in the 60's will tell you a lot about the man, and the legend. Any photo of him walking is especially interesting to a fan like me, because though he hails from Minnesota, the man was from everywhere. He was freewheelin' for heavens sake, I mean it tells you in the title of the album. Thats how icons become legends, I'm not sure which of the Dylan legends are true and which are false, but I don't care, he is an American legend and the tales simply add to the mystique.

Look no further than "Blowin In The Wind", one of my favorite "track one, side one's". Dylan asks his famous rhetorical questions here, but when looking back on his (seemingly endless) career, its actually the idea of him that blows in the wind, he seems to have been everywhere at once. I'm wondering why we have been at war for as long as I can remember, yet not a single living artist can write a great anti-war anthem like "Masters of War", save for maybe Neil Young.

Stark The Vinyl Shark's favorite Dylan song (well tied for #1... don't make me choose) closes side one, "A Hard Rain's A-Gonna Fall". Written during the Cuban Missile Crisis, its a brilliant song that consists of many beginnings. Listen to it an you will know what I mean, the imagery is second to none.

Side two consists of classic Dylan folk, "Don't Think Twice, It's Alright" has more layers than you think, and the simple "Corrina, Corrina" will make you wish this album was twice as long. The album closes with the iconic "I Shall Be Free", which if you feel like doing some digging, is a beautiful live track on the Dylan/Band live album "Before The Flood".

I haven't been overly impressed with the Sundazed remasters in the past, but this one is pretty good. Its pressed on 180-gram black vinyl, and is housed in excellent replica packaging. The back includes liner notes from Nat Hentoff. If you are still searching for an original like I am, this would be a nice place to start.

Album - A

Vinyl - B

It's Here...

2010-04-21T21:11:00.002-06:00

The Hold Steady - Heaven Is Whenever

Limited Edition 1 of 600

Clear Vinyl

The Epic Haul

2010-04-17T23:03:00.006-06:00

Epic.

I know many of you are totally spent from an epic day of vinyl hunting, and some (like me) are still celebrating RSD, depending on which time zone you are in. Cheers if you are. I unfortunately have had to switch from delicious Red Rock Amber Ale to Mickey's, but hey, on RSD I'm kicking it old school.

The morning started off with a moment of grogginess, the sense that I forgot to switch my alarm to "off" for the weekend, and then pure elation that today was the day: Record Store Day 2010. It was a beautiful spring day, and the drive downtown was gorgeous. With a few detours due to the marathon I arrived at Slowtrain at about 8:30AM. I ended up being third in line, and was able to talk to some pretty cool customers while we waited for the feeding frenzy.

The Slowtrain situation was great, they had it organized beautifully, let about 10 in at a time, and we got down to business. On a lighter note, I have a new crush, but we need to get to the vinyl. I quickly grabbed the Wilco Box, Stones 7'', Neko Case, and Neil Young offerings. After a quick look around I decided it was time to bolt (so I could get a free shwag bag, full of amazing goodies). Due to the heat today (finally, if I may say so) I needed to stash my finds at Dave Rock's Hawthorne palace, and after a quick breakfast I made my way to Randy's.

Randy's was packed of course, and I was able to snatch up the very limited Hold Steady album before going back to Dave Rock's, picking him up, and heading back to Slowtrain for an afternoon of more shopping, socializing, live shows (indoors and out) and plenty of beer drinking. Slowtrain RSD 2010 was sponsored by Red Rock Brewing of Salt Lake City and their Amber Ale really hit the spot after a stressful morning of shopping. Kudos to Chris and Anna of Slowtrain for organizing, and pulling off a spectacular day of music, friends, and brews.

It was back to Randy's after that for some serious digging. They were offering a used vinyl sale of 10-30% off, and I felt the urge to improve my back catalogue. I spent the rest of the afternoon sifting through the stacks at Randy's, sharing in some great conversation with Chris, Tom, and Sadie, and most of all just enjoying the fact that I can spend an entire weekend in a record shop. It really is where I do my best thinking. I was able to find some great gems deep in the archives including some CSN, Neil Young, Gear Daddies, Ohio Players, John Lennon, Grateful Dead, and Bob Dylan.

A more than solid outing for music lovers, and independent businesses today. I was pleased to see so many people out enjoying these things called record stores. It really is a community effort, and I hope that many people have re-discovered their love for a quality music shop today.

My purchases are listed below for your review. These came from Randy's and Slowtrain only (Thanks to you both for being amazing at what you do, my life, and the lives of many in this city would not be the same without you) because they are the only record shops I believe in. So support them, NOW!

I am already gearing up for RSD 2011, its never too early to start planning. Until then, I have a boat load of vinyl to review for my fellow readers, so expect updates often.

Until next time, keep em clean and keep em spinnin.

Acquisitions (RSD Exclusives)

Wilco - Kicking Television (Live In Chicago) 4 LP Box Set. This includes 8 previously unreleased songs, a limited edition concert poster, and the vinyl is 180 gram high performance vinyl. Nonesuch 523942-1. 1 of 5,000

The Flaming Lips, Stardeath & White Dwarfs With Henry Rollins and Peaches - Dark Side Of The Moon. Pressed on seafoam green vinyl. Warner Brothers 523541-1. 1 of 5,000

Neko Case - Middle Cyclone. 2 LP set on clear vinyl. Anti 86973-1. 1 of 2,000

Neil Young - Heart of Gold/ Sugar Mountain 7''. Limited.

Bruce Springsteen - Wrecking Ball/ The Ghost of Tom Joad (Featuring Tom Morello) 10''. Columbia. Limited.

Jimi Hendrix - Live At Clark University 12'' EP. Dagger. Limited.

Fela Kuti - Fela Kuti 10'' EP. Knitting Factory Records. 1 of 1000.

The Hold Steady - Heaven Is Whenever. Full length album, limited edition clear vinyl. Screen printed cover. Vagrant/Rough Trade. 1 of 600.

Rolling Stones - Plundered My Soul/All Down The Line 7''. Limited and individually numbered.

Record Store Day - Choice Cuts 2010 (Various Artists) 12'' Sampler. Limited.

Acquisitions From Day 2 (Sunday the 18th)

Rodriguez - Inner City Blues/I'm Gonna Live Till I Die 7''. Includes a 12 track sampler and issue two of the Light In The Attic Zine. Hand numbered and limited to 1,500 copies. #1340. Light In The Attic Records.

Sharon Jones & The Dap-Kings - Money 7''. Daptone Records. Limited.

Shampoo/Alien - Happy Birthday 7''. Sub Pop. 1 of 750.

Record Store Day 2010

2010-04-16T23:04:00.003-06:00

Stark The Vinyl Shark is pleased to announce Record Store Day is just hours away. If you need me at all tomorrow, you might want to try either Slowtrain or Randy's.

I must say, I have been waiting for this Record Store Day for months, anxious with anticipation of exclusive vinyl like the new Hold Steady album, or the Wilco live set, or even the John Lennon Singles Bag. All exciting stuff for a vinyl freak like me. Thats why I'm planning on being first in line tomorrow morning, hopefully I can have my pick of the goodies before the Ebay hawks get to them. I know many fans across the country and in the U.K. are doing the same thing, its all part of the vinyl experience. We are a dedicated bunch.

I was thinking of writing a love letter to vinyl and the independent record shop here, but I figure thats what this blog is all about, so I will just give you the run down of how excited I am for RSD.

A special thanks to Anna, Chris & Vanessa down at Slowtrain for having me down on Thursday night to help prepare for the big weekend. They will have many things going on this weekend that you need to check out, trust me. Goodie bags, exclusive vinyl, live music and 3 dollar pints from Red Rock, and the list goes on and on. Get down there tomorrow, or be sorry you missed it.

I will also be checking out Randy's Records, and you should too. Exclusive vinyl, and a huge used vinyl sale you won't want to miss. I know Sam, Tom & Chris have been putting a lot of work into RSD so be sure to get down there and drop some cash on some great tunes.

For all you vinyl freaks out there, I hope you get what you want. As for me, here is a taste of what I (hope) to come up with:

Flaming Lips - Dark Side of The Moon

Hold Steady - Heaven Is Whenever

Rolling Stones - Plunder My Soul 7''

Wilco - Kicking Television Box Set

John Lennon - Singles Bag

Sonic Youth - Hits Are For Squares

The Black Keys - "Brothers"

2010-04-12T20:22:00.001-06:00

Flicks with Tunes

2010-04-12T19:35:00.002-06:00

If you know me, you know I'm a huge film buff, which makes my stint in Salt Lake City all the more enjoyable each January when the Sundance Film Festival rolls around. That being said, I'd like to take the opportunity to honor some of my favorite movies based on/about/or involving killer tunes.

This, along with most things on this blog, is an in-perfect science, as I tend to forget some pretty obvious entries from time to time. If I leave something outlandish out, feel free to set me straight with a comment.

Here we go...

Blues Brothers (1980) - Best car chase of all time, and a killer soundtrack to boot.

High Fidelity (2000) - John Cusack in his best role to date. Its hard to beat Jack Black in a Yanni t-shirt. For me its the scenes at the shop that steal the show, but its hard to beat meltdowns that only Mr. Cusack can seem to muster.

Walk The Line (2005) - Johnny Cash. Nuff said.

The Last Waltz (1978) - Best concert documentary ever. Period.

Gimmie Shelter (1970) - Just another thing to thank Marty for.

No Direction Home (2005) - Did we thank Marty yet? Oh we did? Well, thanks again. "Positively 4th St." is my ALL TIME FAVORITE DYLAN SONG... incase you are ever on a game-show.

Dazed & Confused (1993) - L-i-v-i-n. This is in Stark The Vinyl Shark's ALL TIME TOP 5 MOVIE LIST.

This Is Spinal Tap (1984) - Best Mockumentary ever. In fact, I think it created the sub-genre. Turn it up to 11.

Almost Famous (2000) - I loved seeing Cameron Crowes' story set to motion in this film. What fun it was to take the journey of a lifetime with him, while he was still in high school. Everyone has an Almost Famous moment.

Arcade Fire - "Funeral"

2010-04-06T19:57:00.003-06:00

Arcade Fire - "Funeral" Vinyl Lp

MRG255

Original Release - 2004

What can be said about this album that hasn't already been said? I'm not coming up with anything.

Thanks to The Dave Man for introducing this beautiful album into my consciousness. Like I have said many times before, there are just some albums and artists I am totally aware of, yet I just don't get around to checking them out. I'm glad I have been introduced to Arcade Fire, what a sweeping, emotional, and stunning album we have here.

Win Butler and Regine Chassagne are the couple at the heart of Arcade Fire. They are married, and each experienced significant loss during the same time in 2003. By any account it was a dark time for the both of them, and "Funeral" is the result. "Funeral" is a sweeping album, and the first time I listened to it, it left me with a sense of satisfaction rarely achieved by these ears. Especially after only one listen.

The lyrics though steeped with the sense of loss and uncertainty, are simply beautiful. Beautiful in the same heartbreaking way that made Ryan Adam's "Heartbreaker" a personal favorite. Its simple and effortless communication, and the musicality is creative, exciting and always interesting. On "Wake Up" Win Butler sings "...Somethin' filled up my heart with nothin', someone told me not to cry. But now that I'm older, my heart's colder, and I can see that it's a lie" - I truly believe him.

This album never wastes a second, every track is what your soul yearns for next. A haunting and memorable modern masterpiece that will no doubt stand with the best of the era. This is not simply a "sad" album, it manages to in a single song take the listener on a journey of pain and loss, yet the light at the end of the tunnel is always in the distance. Regine's haunting and beautiful voice on "In The Backseat" is the perfect example "Alice died in the night. I've been learning to drive. My whole life, I've been learning" - We all have experienced loss, but the darkness does not last forever.

This vinyl release from Merge is a 180 gram edition, that looks and sounds great. The packaging is excellent, a beautiful and ornate gatefold holds this album, and included is a anti-static sleeve and lyric sheet.

Album - A

Vinyl - A

New Pornographers - "Together"

2010-04-05T21:22:00.001-06:00

New Acquisitions

2010-04-05T21:13:00.003-06:00

Sonny Boy Williamson & The Yardbirds - "Live At The Craw-Daddy Club"

2010-04-04T22:04:00.004-06:00

Sonny Boy Williamson & The Yardbirds - "Live At The Craw-Daddy Club" Vinyl LP

SR 61071

Mercury

Original Release - 1966

This is why I love vinyl. I love the search, the surprise finds, and the pure joy of finding a gem from 1966 to bring home and enjoy. Thats what happened here with this blues classic. A live album, featuring the legendary Sonny Boy Williamson, and the equally legendary Yardbirds as his backing band.

When I listen to blues music, I prefer live albums, as I feel they are a better representation of the emotion and power of great blues music. This recording is no exception, the crowd is obviously enjoying seeing two legendary acts on stage, a meeting of talent that is rarely seen live. The Craw-Daddy Club is bustling with activity, thunderous applause and a sense of appreciation for the blues music they are enjoying.

Sonny Boy Williamson gives an impassioned performance, though he was at that time, beginning to see the end of his career approaching. The Yardbirds on the other hand were Britain's next big thing, giving rise to the promising careers of Eric Clapton, Jeff Beck, and Jimmy Page.

This album has been deemed the "re-birth of the blues" and I think that description is spot on, especially when listening to tracks like "Bye, Bye Bird", and "Out of Water Coast".

I would recommend this recording to anyone who wants to add some classic, hard to find blues to their collection. Its a new cornerstone of mine, like that perfect drive in a round of golf, finding this album fuels your desire to track down more.

Album - A-

Vinyl - B- (Note, this is a pretty rare LP, and though its not in perfect condition, I could not leave it at the shop. I am willing to sacrifice perfect fidelity for the chance to own this rare blues recording.)

The National - "High Violet"

2010-04-04T20:21:00.001-06:00

Record Store Day (RSD): April 17, 2010

2010-04-01T20:15:00.007-06:00

This is an appeal to my faithful Readers. Record Store Day (or Christmas in April as Stark The Vinyl Shark refers to it) is coming up fast, and preparation is needed. I would like to take this opportunity to tell you about my beloved independent record stores here in Salt Lake City.

I know some of you must be tired of buying the same old mp3's off itunes, or the same old cookie cutter CD's from any of the big box chains I refuse to plug here. There is a solution, and its called your local independent record shop.

There are 700 of these shops in the U.S. and they need your support. What most people don't realize, or take for granted, is the critical role these shops play in the community. In a world where digital rules, local music shops still do things the old fashion way. They deal in vinyl, used and new. They have in store shows with local musicians, and they have killer promotions and events on RSD. But thats not all, when you go in there, you will find that the friendly face that greets you is someone who enjoys music as much as you do. They are knowledgeable, and they live and work in the same community you do. Plus, when you spend your hard earned cash in one of their stores, you know the money is staying in the community.

Sure, you may be able to save a buck or two per LP if you buy online or at a big box store. But why take the chance? Have you ever seen how online stores ship their vinyl? Have you ever seen how big box chains store their vinyl? Well, its not pretty.

Why would you download horrible, shrill sounding mp3's when you could spend an afternoon at a Randy's or a Slowtrain. Music was never intended to be listened to on headphones, I don't care what anyone says. Music by nature is communication, and communication requires participants. Music is meant to be shared with people, and there is no better way to spend time with people who LOVE music than at a record shop.

Still not convinced? Try this: Next time you are at a big box retailer buying music, ask the employee if they prefer Neil Young's solo work, or his albums with Crazy Horse. Ask them how excited they are about The New Pornographers upcoming album. The blank look on their face will say it all.

With that said I urge all my readers to not only support their local record shops on RSD but throughout the year. For they are the hubs of the local scene, its where the free thinkers feed their ears, and who knows, you may run into a musician or two.

Jefferson Airplane - "Surrealistic Pillow" Vinyl LP

2010-03-29T20:06:00.003-06:00

Jefferson Airplane - "Surrealistic Pillow"

AYL13738

Original Release - 1967

Through the history of Rock & Roll there has always been a certain class of albums, benchmarks of a generation, that could stand with the greatest works of art in any of this worlds great museums: "Surrealistic Pillow" is one of these hallmarks of American Rock & Roll. An album that almost single handedly sums up the sounds of a generation of musicians, about to change the world forever. If there is a band, or an album, that can transport the listener immediately to the Haight-Ashbury district of San Francisco during the cultural revolution during the 60's, this is it.

To understand this look no further than "Somebody to Love". A song so intertwined with the cultural revolution, it instantly brings to mind visions/memories of flower children, magic buses and the feeling that things were about to change. It has almost been used to a fault in Hollywood portrayals of the era, since I can hardly recall a movie that takes place during this time that doesn't use this song in the soundtrack.

Though not an original member of Jefferson Airplane, its hard to imagine the band without Grace Slick, who provides the haunting vocals on the two stand out tracks "Somebody to Love" and "White Rabbit". Her voice coupled with the musicianship and experimentation of Paul Kantner, Jorma Kaukonen, Jack Casady, Spencer Dryden, and Marty Balin provide the listener with a kaleidoscope of 60's folk/psychedelia that will transport you to a different time, and a different place.

Production credits for "Surrealistic Pillow" are given to Rick Jarrard, but Jerry Garcia of The Grateful Dead is listed on this version as a spiritual advisor. Its easy to feel Garcia's presence during this album, for it features a similar mood to studio recordings of The Dead, especially "American Beauty".

"3/5 of a Mile in 10 Seconds" has Jefferson Airplane at their up-tempo best, with sounds that are now considered classics of the era. "D.C.B.A" gives us classic, dreamy California pop, for cool evenings while "White Rabbit" portrays a different side of the sunny California vibe, a much darker and experimental psychedelic song, most often associated with the use of drugs.

The obvious stand out on side A is "Somebody to Love", but if you go back, its hard to ignore how tracks like "Today" and "Comin' Back to Me" have stood the test of time.

It doesn't matter if you lived through it or not, these albums are a ticket to a different era. Once you drop the needle on "Surrealistic Pillow" its hard not to imagine what San Francisco in 67' looked like, sounded like, and felt like.

Album - A

Vinyl - B-

Isaac Hayes - "Hot Buttered Soul" Vinyl LP

2010-03-27T17:38:00.004-06:00

Isaac Hayes - "Hot Buttered Soul" Vinyl LP

STX-4114

Original Release - 1969

I have been trying to track this beauty down for a while and I finally found it a few days ago. This is "Hot Buttered Soul", the Isaac Hayes Motown classic, an essential vinyl contribution to anyones collection. This is the type of album you must listen to on vinyl, I have passed up many opportunities to buy the CD because that would be cheating.

There are only 4 tracks on this album, but its quality over quantity, plus half the songs are over ten minutes long. The classics "Walk On By" and "Hyperbolicsyllabicsesquedalymistic" grace side A and on side B is "One Woman", and "By The Time I Get To Phoenix".

This album is full of funky grooves and heartfelt ballads from Isaac Hayes. It is one of many classics to come from Stax Recordings, and while Isaac Hayes is usually known for the Theme From Shaft, this album will show you he is much more than that.

This vinyl re-issue is pressed on standard weight black vinyl, and while the vinyl sounds good, I was not blown away with the sound quality. I will continue to search for an original or the much sought after Mobile Fidelity Sound Lab pressing.

Album - A

Vinyl - B

Return of The King

2010-03-27T10:29:00.007-06:00

Dear readers I have returned from Texas intact, and with vinyl in tow. It's official, I'm moving to Austin, Texas as soon as I can afford it. What a great town. It really is the "Live Music Capitol of The World" and I didn't even have an official ticket to anything SXSW related. Since this is a music blog, I will spare you the details of the actual trip (Thanks again Jenny & Co.) and stick to the tunes.

I really enjoyed walking South Congress and listening to all the musicians on the street. My favorite was The Ferocious Few. These guys set up outside Lucy In Disguise and played a killer set.

These guys are from San Francisco and were in town for SXSW. They played a quick set of punk rock influenced folk rock that was loud and fast, just like I like it. I bought their CD and will be happy to burn you a copy if you promise to order their album that releases in April.

The locals in Austin not only want to keep their city weird, they really appreciate music. More so than in any other city I have been to. It was great to spend an afternoon shopping and listening to music.

I really just fell madly in love with the city and its culture. I enjoyed shopping for some Austin related vinyl to add to my growing collection at Waterloo Records, and quickly ran out of singles by giving them to all the musicians on the street so they had gas money to get to the next gig.

In conclusion, Austin is the greatest city ever, and in the spirit of keeping things weird, I ran into this fella at Uncommon Objects on South Congress...

Hiatus

2010-03-17T19:32:00.003-06:00

Stark The Vinyl Shark will return to the blog next week, as I am about to embark on a great adventure... Texas. I will be visiting Jenny & Co. while taking in the scenery, food, music and general debauchery TX has to offer. I leave in the morning, and will let you know how it goes, but fair warning dear readers, I may just stay in Austin.

The White Stripes - "Under Great White Northern Lights" Vinyl LP

2010-03-17T18:19:00.005-06:00

The White Stripes - "Under Great White Northern Lights" 2xLP Vinyl

TMR-O15

Third Man Records

Original Release - 2010

I'm a live album freak, and by now you know that. So I jumped at the chance to have The White Stripes melt my face on live wax. This double LP live set acts as a soundtrack of sorts to the documentary film "The White Stripes Under Great White Northern Lights" which is being shown at the SXSW festival in Austin this year. If you don't already know the backstory, this documentary follows The White Stripes on their Canadian tour of 2007, mostly playing small towns and communities along the way.

This sixteen song set gives the listener a nice feel for the career to this point of Jack and Meg. Most of the songs are played at TWS usual blistering pace, but they manage to simmer down to a smoldering pace for a few tracks. "Blue Orchid", "I'm Slowly Turning Into You", and "Seven Nation Army" all hit you like a punch to the gut. Jack really digs deep on "Jolene" and TWS show their more vulnerable side on "We Are Going To Be Friends". At any rate, this live set is a must have for any fans of TWS, even late bloomers like myself.

Interesting note, this album is being released by Jack's record label: Third Man Records, which is a return to the "old school" label of yesteryear. TMR releases most of their talent's music on vinyl, and also releases 7'' singles. I recently read in Rolling Stone Magazine, that when TMR releases a new 7'', the line is stretched around the block. Way to go Jack, way to go.

Album - A-

Vinyl - B

2010-03-15T19:11:00.001-06:00

Jimi Hendrix Double Post

2010-03-14T20:56:00.005-06:00

The Jimi Hendrix Experience - "Electric Ladyland" 2 LP (2010 Remaster)

88697 62398 1

Experience Hendrix/Legacy

No. 1,772

I was skeptical about these Jimi Hendrix remasters until Sam down at Randy's Records told me they were the real deal. They certainly are. The entire Hendrix studio library has been re-released and remastered from the original source tapes on CD, and vinyl. I have been able to pick up "Electric Ladyland", "Valleys of Neptune" and "Are You Experienced".

"Electric Ladyland" is the the third album from The Jimi Hendrix Experience and it was released in 1968, at the hight of the counterculture revolution. By 1968, Hendrix was already a cultural icon, known for his revolutionary guitar style and psychedelic musical stylings. "Electric Ladyland" was released with considerable success, and includes classic Hendrix tracks like "Crosstown Traffic", "Voodoo Child (Slight Return), and "All Along The Watchtower".

I'm ashamed to say it, but before this I really only listened to Hendrix on MP3 (terrible, I know). So I expected to notice a difference in the sound quality. I was shocked at the improvement, not only does the vinyl sound great, but I feel like I am listening to the albums for the first time (well in the case of "Valleys of Neptune" I am). The sound is amazing, and the detail on tracks like "Voodoo Chile", and "Still Raining, Still Dreaming" is nothing short of a revelation. The mixing sounds great and balanced, the low end is much more present that in the CD or mp3, and his voice sounds much more pronounced and authentic. Like I have said before, the hallmark of an excellent vinyl pressing is feeling like you are sitting in the studio, and listening to this puts you right there in London with him.

This pressing of "Electric Ladyland" is numbered (Mine is 1,772) and is housed in a double LP gatefold with a booklet included. The booklet has liner notes, and pictures of original letters from Hendrix to his record company regarding the cover art. The vinyl is pressed on 180 gram black vinyl that sounds great, it really brings these recordings to life, and they jump out of your stereo. I could not be happier with these remasters, and they are very affordable. Recommended.

Album - A

Vinyl - A

The Jimi Hendrix Experience - "Are You Experienced" Vinyl LP (2010 Remaster)

88697 62395 1

Experience Hendrix/Legacy

No. 4,568

"Are You Experienced" was the first album released by The Jimi Hendrix Experience in 1967. This is one of the iconic albums of the time period, and is regularly referenced in various "greatest" album polls and lists. This is one of the albums that helped define a generation. I am a huge fan of the introduction of this album on the back cover:

Be forewarned. Used to be an Experience meant making you a bit older. This one

makes you wider. With the assistance of Mitch Mitchell (on drums) and Noel Redding

(on guitar), Jimi Hendrix breaks the world into interesting fragments. The reassembles

it. You hear with new ears, after being Experienced. Those who've only seen him

perform know only part of This Experience. They rave about a young man who

plays a guitar in more positions than anybody before him. Now, this debut album will

put the heads of Hendrix' listeners into some novel positions.

Be forewarned.

I wish a band today would put something half as cool on the back of an album. This album is indeed an Experience in every sense of the word. It is an example of an album that was made and released during a time in history when the "album" in a traditional sense was king. An exploration of ideas and themes through music.

"Are You Experienced" contains some of the most recognizable Hendrix tracks recorded during his short time on earth: "Purple Haze", "Hey Joe", "Fire", and "Foxey Lady". It also contains "The Wind Cries Mary" which is a classic Hendrix track that has been beautifully restored here on this vinyl remaster. My favorite track here is "Are You Experienced" which has been restored beautifully, its warm and full, a track to convert your friends to vinyl with for sure.

This remaster is housed in heavy duty cover that is colorful and vibrant, the vinyl is pressed on heavy duty black 180 gram vinyl and as with "Electric Ladyland" sounds stellar. I would recommend these to anyone who A) loves Hendrix or B) Is new to Hendrix but wants to explore him more. Recommended.

Album - A

Vinyl - A

Otis Redding - "In Person At The Whiskey A Go Go"

2010-03-11T21:23:00.003-07:00

Otis Redding - "In Person At The Whiskey A Go Go" Vinyl LP

LP 5133

Sundazed

Original Release - 1968

Reissue Release - 2003

Otis has soul. I think saying Otis defines soul would be more appropriate. I'm a huge live album nut, this is one of the best I own. This live set from LA in 1966 smokes, its filled with the natural energy Otis Redding brings to the stage. A stage he shares with a few other musicians (a few saxophones, trumpets, bass, lead guitars and some back up singers).

Out of the gates we have "I Can't Turn You Loose", "Pain In My Heart", and by "Just One More Day" you are hooked. His original songs are some of the best soul songs ever recorded, and his covers are simply dazzling. He covers the Stones on Side A "(I Can't Get No) Satisfaction" and James Brown on Side B "Papa's Got A Brand New Bag".

This live album is what Rhythm & Blues is all about. His style of singing is legendary, its hard to imagine someone preforming at this level, especially with Bob Dylan in the audience. I have just recently expanded my listening selections to include the soul classics (there is just so much out there to listen to) and I can't wait to get some more classic Otis recordings.

This Sundazed reissue is a fairly inexpensive way to get acquainted with Otis Redding. It is standard weight black vinyl that sounds pretty nice. Live albums have never been the best sounding LP's but this one holds its own. There is some nice low end on this album, given the killer rhythm section, and it really shows through on vinyl. I am planning on tracking down an original, that is if I can ever find one!

Album - A

Vinyl - B

Buddy Miles - "A Message To The People"

2010-03-09T18:01:00.003-07:00

Buddy Miles - "A Message To The People" Vinyl LP (Original)

SRM 1-608

Mercury

Original Release - 1971

Buddy Miles was a Bad Man, I mean that in the best way possible, like when referring to Shaft. This release from 1971 has Buddy Miles and his band firing on all cylinders, blending soul, funk, and Rock & Roll with amazing results.

You may know Buddy from his work with Jimi Hendrix, or other greats of the era, but here in "Message To The People" is Buddy Miles with his band, simple as that sounds, its amazing. Within this album lies a treasure trove of wicked guitar solos, bright brass, and smoldering drum rhythms.

For pure power, I'm partial to the opening track: "Joe Tex". I also absolutely treasure the Allman Brother's cover "Midnight Rider". Its a true tribute cover, that carves out its own style, my favorite track on the album by a mile, and that's saying something. If you like Sly & The Family Stone, Funkadelic, or Jimi Hendrix you will love this album.

This original LP from 1971 is housed in a heavy duty gate-fold, its standard black vinyl (in very good condition) and the artwork is super cool all around. Highly recommended if you can find one.

Album - A (If I gave A+ ratings this would be a contender). Pure Magic.

Vinyl - A (Sounds great for being from 1971) Love It.

Beach House - "Teen Dream"

2010-03-06T13:18:00.005-07:00

Beach House - "Teen Dream" Vinyl LP

Sub Pop 845

Original Release - 2010

So this has 2010's most beautiful Indie album on lockdown. It will remain to be seen if it can claim the top album of 2010, especially with some strong and anticipated released coming this summer.

This album is simply beautiful, its easy to get lost in the psychedelic, dreamy soundscapes Beach House presents. It's hard not to imagine a foggy, misty landscape, but when the music emerges and crescendos as it does in "Used To Be" the fog lifts, and presents the listener with a bright, sun soaked landscape.

I had a great conversation with Anna down at the wonderful Slowtrain music shop in Salt Lake City about Beach House. I told her that I stayed away from this album do to the hype (I still haven't heard Animal Collective) because I didn't want to be disappointed. Well, no disappointment or let down here, this is a stellar release. The instrumentation is spot on, with elements of shoegaze, tween pop, and psychedelia its fun to hear all the different influences that are present. My favorite, and the most recognizable influence here is My Bloody Valentine, something that Beach House uses with grace and elegance, never plagiarizing but always paying tribute.

Some of my favorite tracks on this album are "Silver Soul", "Norway", "Used To Be" and "Take Care". I would recommend this album to all the readers out there, its something you will not want to stop listening to. I always seem to play it twice in a row.

For all the enthusiasts out there, this release from Sub Pop is super deluxe. This is a double LP, nice sounding black vinyl, housed in a beautiful gate fold cover. With this album is the download codes for the full album online, and a DVD of (super sweet, and trippy) music videos. It also includes a lyric sheet that doubles as a poster.

Album - B+

Vinyl - B+

Marvin Gaye - "Let's Get It On"

2010-03-06T12:41:00.004-07:00

Marvin Gaye - "Let's Get It On" 1973 Original Pressing Vinyl LP

T329V1

Original Release - 1973 (Motown Record Corporation)

Lord, Have Mercy...

As I have written in past postings, the mark of a great vinyl listening experience is when you find a gem, start up the turntable, and begin laughing when the sound fills the room. This was my exact experience this morning when I dropped the needle on Marvin Gaye's Motown classic "Let's Get It On".

I found this original pressing at a local record shop after work last night and knew I had to bring it home. I passed up some really great buys too, but I will be going to record store heaven (Austin, TX) in a little over a week, so I have to keep the spending under control. This LP simply shines, each note and rhythm is so clean, so immediate, dare I say sexy? I do. From the opening track of "Let's Get It On" to the closing track "Just To Keep You Satisfied" Marvin holds the listener captive with his magnum opus.

Now, I am also a fan of "What's Going On" but for unadulterated soul, infused with the spirit of blues, gospel, and jazz music this album is another cornerstone of my collection. The album is the definition of cool, and so was Marvin. His voice is so recognizable, and his contributions not only to the genre that is soul/Motown music, but also to rock & roll.

From the iconic cover art, to the beautiful sounds inside, this album is a must own for any vinyl fanatic. I plan on also purchasing the MFSL remaster, but only because I am a completist. This original pressing still sounds stellar, the vinyl is in great condition and so is the gatefold that houses it.

Album - A

Vinyl - A

The Beatles - "Magical Mystery Tour" MFSL Remaster

2010-02-28T20:54:00.003-07:00

The Beatles - "Magical Mystery Tour" Mobile Fidelity Sound Lab Remaster

MFSL 1-047

Original Release - 1967

MFSL Release - 1980

My Beatles vinyl collection is definitely lacking at this point, only three titles, but this Mobile Fidelity Pressing of "Magical Mystery Tour" is a great addition to the growing list of titles. Now there are a lot of stories floating around about these Mofi remasters, basically your guess is as good as mine. I know that technically, all or part of the Mofi remasters are bootleg recordings. And on this album, I know that the last two tracks "Baby You're A Rich Man", and "All You Need Is Love" are not true stereo recordings... but who cares, this album is sweet.

This album features two of my favorite Bealtes songs: "Penny Lane" and "Strawberry Fields Forever". The Japanese pressed vinyl is pretty light, but the sound quality is excellent. I would expect nothing less from the folks at Mobile Fidelity Sound Lab. The vinyl is housed in a heavy duty gatefold, and the copy I bought included all the original inserts and brochure information, I thought that was pretty fun to look at.

Album - A

Vinyl - A

New Album from The Hold Steady

2010-02-28T17:56:00.002-07:00

Click here to read all about the upcoming album from these guys:

New Acquisitions

2010-02-27T10:52:00.001-07:00

Interesting Post & Discussion

2010-02-24T22:59:00.002-07:00

Interesting post & discussion here on what a band's name says about the band itself. Written by Carrie Brownstein of Sleater-Kinney, the topic of offensive band names is discussed at length by readers. Makes you think about what a bands you listen to, what they represent, and what your first impression of them was when you heard the name. There are some obvious choices offered up, but some surprises too. Happy reading, and don't bother being offended, because I don't care.

"I'm Not There" - Original Soundtrack (Various Artists)

2010-02-21T15:12:00.003-07:00

"I'm Not There" - Original Soundtrack 4LP Set

Columbia/Sony Recordings 88697 12038 1

Original Release 2007

I'm going to skip over the usual anointing of Bob Dylan that usually comes with talk of this soundtrack. The guy is pure genius, always has been, always will be. I think the movie missed the mark, but I appreciate the effort to put to film the impressive journey and life of America's most treasured songwriter.

Now for the music. Its really quite impressive, not only the material covered, but the range of artists chosen to put their own spin on Dylan's classic works. Standouts here include "Stuck Inside of Mobile With The Memphis Blues Again" by Cat Power, "Simple Twist of Fate" by Wilco's Jeff Tweedy, "Can You Please Crawl Out Your Window?" by The Hold Steady, and "The Wicked Messenger" by The Black Keys.

There are many less than obvious track choices here, which saves this 4LP set from being just another Dylan greatest hits package. It features some of Dylan's best writing and the covers all add something new. I would urge any fan of Dylan's to check out this compilation, you will not be disappointed. Plus, listening to these 4LP's is a better use of your time than watching the movie.

Album - B+

Vinyl - B

Beck - "Sea Change" MFSL Remaster

2010-02-21T12:39:00.005-07:00

Beck - "Sea Change" MFSL Remaster 180-Gram Vinyl (GAIN 2 Ultra Analog Pressing)

MFSL 2-308

#1127

Original Release - 2002

MFSL Release - 2009

Beck is a chameleon, with every album comes a new artistic approach, and thats what has always impressed me about him. Each album is distinctively Beck, yet each album is a departure from the last, always pushing to find new and creative ways to express himself through music. I like how one can never really know what he is going to do next.

I love the title of this album, because it means so many things. Not only is "Sea Change" an excellent indicator of what lies within, but it is a beautiful concept, one that Beck has a firm grasp on. With this album comes a different tone and feel than his previous work. This is not an album that Beck cut to tape in his basement, this is a production. Due to the beautiful production of this album by Nigel Godrich, this album feels like a rich tapestry of colors, bright and full of life. It reminded me of the first time I heard "Sgt. Pepper's Lonely Hearts Club Band".

If an album could ever encapsulate the beauty of a sunset, this may be it. Its a warm, and full album that is greatly (compared to my CD copy) enhanced by the care and craftsmanship of the good folks at Mobile Fidelity Sound Lab. From the opening "The Golden Age", through the beautiful and infectious "Lost Cause" and ending with the bonus track "Ship In A Bottle", this is essential Beck, and an essential recording for your library.

The packaging and contents of this vinyl remaster are excellent. The double album is pressed on 180-Gram vinyl and the album is housed in a heavy duty gatefold, perfect for safe keeping this cornerstone of your sonic collection.

Album - A

Vinyl - A

Thanks to my good pal David for mentioning the Becktionary to me. Interesting stuff found here: http://becktionary.tumblr.com/

Also, you can check out Mofi wares here: http://www.mofi.com/store/pc/home.asp

New Acquisitions

2010-02-20T21:00:00.003-07:00

Bob Marley & The Wailers - "Exodus" Island 50th Anniversary Remaster

2010-02-20T20:39:00.002-07:00

Bob Marley & The Wailers - "Exodus"

Island 50 Remaster

Original Release - 1977

"Exodus" by Bob Marley & The Wailers is one of my all time favorite albums, and my favorite of the reggae genre. Originally released in 1977, and recorded in London, "Exodus" was hailed with critical acclaim and was also a commercial success for Bob Marley. It was listed as the most important album of the 20th century by Time magazine, and in Rolling Stone was listed as number 169 of the 500 Greatest Albums of All Time.

This album contains such Marley standards as "Jammin", "Three Little Birds", "Exodus", and "Waiting In Vain". Its a album that represents the essence of reggae, flush with the rhythms and textures of the Caribbean. All of these elements are displayed beautifully on this vinyl remaster, the deep bass is evident, and the shiny brass and staccato guitar rhythms fill the room.

I was a bit apprehensive to buy this re-issue, because I had been hoping to run across a MFSL pressing, but I'm glad I broke down and bought it. If nothing else, this will provide a great play copy until I run across the Holy Grail.

Album - A

Vinyl - B

Open Newsletter

2010-02-02T21:23:00.003-07:00

Dear Readers,

It has been far too long, but if you know me at all, and most of you do, you know that this time of the year is usually reserved for the film freak within. The 2010 Sundance Film Festival was a success, I was able to catch one movie "Abel" and had an excellent adventure on Main Street with my buddy Dave and our pal Malin. The Oscar race is also heating up, and I hope that the best movie of the year (Inglorious Basterds) and the best director of the year (QT) racks up the statues.

So lets get back to digging into some vinyl, I have run across some pretty interesting finds in the last couple weeks and can't wait to tell you about them. Lets get rollin'

U2 - "War" Vinyl LP (2008 Remaster)

2010-01-03T12:38:00.002-07:00

U2 - "War" Vinyl LP (2008 Remaster 180-Gram Vinyl Edition)

B0010832-01

Universal - Island Recording

Original Release - 1983

Vinyl Remaster Release - 2008

I was very excited to find this remastered edition of "War" because its one of my all time favorite albums, by one of my all time favorite bands: U2. This is the third studio album buy U2, following "Boy", and "October" and is probably the least abstract lyrically of the band's early years. With "War" the band has really found solid footing, and is able to present their sound and message fully, and with more clarity.

Over the years U2 has found many ways to protest the wrong they see in the world, but the strategy here is to take you by the collar and force you to listen. The album begins with arguably one of the best and most famous protest anthems in Rock & Roll history: "Sunday Bloody Sunday". Beginning with Larry Mullen Jr.'s military style drumming, displaying his famous style of extending each beat to its maximum length, "Sunday Bloody Sunday" is a rallying cry against the conflict that plagued Ireland and the U.K. in the 60's and 70's. A live staple ever since, in 1983 U2 joined the ranks of Crosby, Stills, Nash & Young and Bob Dylan as writers of the best protest anthems of the 20th Century.

With "Seconds" they take on the issue of the nuclear proliferation the world was seeing in the 60's, 70's, and 80's especially in the West. The Cold War was in full swing at this time, and such a stirring a song about nuclear holocaust would make side A one of the most important lyrically in U2's early years: "Takes a second to say goodbye/ takes a second to say goodbye/ oh, oh, oh say bye-bye/ where are you going to now?/ lightning flashes across the sky/ East to West/ do and die".

The third single off of "War" is "New Years Day" released in January of 1983. This song was written about the Polish Solidarity movement in post WWII Europe. Having spent some time in Poland and Eastern Europe in January of 2007, this song captures the feel of that place perfectly, the darkness and hopelessness of winter in this part of the world is hard to ignore. I can't imagine what it was like during the Cold War struggle for freedom and independence. Also, this is the famous desolate snow bound music video you remember: "And so we are told this is the golden age/ and gold is the reason for the wars we wage/ though I want to be with you/ be with you night and day/ nothing changes/ on New Year's Day". This track features a distinctive bass line from Adam Clayton, and The Edge on keys.

"War" features some distinct departures in sound, especially "The Refugee" which sounds unlike anything U2 had done in the past. Focusing more on rhythms especially percussion rhythms, "The Refugee" feels like it was inspired by African tribal chants: "Wa-War she's the refugee/ I see your face, I see you staring back at me/ Wa-War she is the refugee/ Her mamma say one day she's gonna live in America".

The second single off "War" was "Two Hearts Beat As One" and it also features U2 favorites like "Drowning Man", "Red Light", and the live favorite "40". This vinyl remastering process was supervised by The Edge and when compared to my 80's CD version, there is no comparison. The new stars of the album are Larry Mullen Jr. and Adam Clayton, the low end on this LP sounds great and I am thankful for the great remastering job. The presentation is great, in a heavy duty gatefold with a oversized booklet of lyrics, liner notes, and pictures. The vinyl is black, 180-Gram and looks and sounds excellent.

Album - A

Vinyl - A-

Tom Waits - "SWORDFISHTROMBONES" Vinyl LP

2010-01-01T14:41:00.003-07:00

Tom Waits - "SWORDFISHTROMBONES" Vinyl LP

0042284246910

Island Recordings

Original Release - 1983

Tom Waits is one of those artists I have always been aware of, but have never listened to before now. This is the type of music you have to discover on your own, when you are ready, because if forced into it, I'm certain it would be easy to disregard almost instantly.

Tom Waits has been writing and recording music in his own unique style for many decades now. You will know its him instantly, his voice rough and abrasive, yet my ears long for his stories anyway. In "SWORDFISHTROMBONES" Waits is a storyteller, singing of interesting characters and situations, much like the undesirables in the lyrics of Craig Finn. Though some of Waits songs are love songs, the themes are that of the underworld, the counter-culture, the unseen and forgotten. This classic 1983 albums begins with "Underground", featuring Waits smoky gruff voice and a heavy beat, a track like many of Waits where you can actually "hear" the room.

I love the way Waits tells a story, I always long to hear more. "Shore Leave" displays some great Waits writing and presentation, in sort of a rambling, wayward way. "Dave The Butcher" is an instrumental on Side A that sounds like a creepy, evil carnival. One of my favorite songs on the entire album is "16 Shells From A .30 Aught-Six", just listen to it, it has a sweet beat, and totally rocks. The way Waits describes detail on this album is simple and effective, like on "Frank's Wild Years" where he describes a burning house as "Halloween Orange, and chimney red".

The experimental and abstract aspect of Wait's songs really jump out at you after repeated listens. These elements, along with excellent production, make this re-issue an interesting experience on vinyl. It has a full and warm sound, and Wait's voice is so fun to listen to with all the detail and range vinyl has to offer. This Island re-issue is standard weight, with a anti-static sleeve and an outer plastic sleeve. The vinyl is pretty nice, black, and clean.

Album - B+

Vinyl - B+

Elvis Costello - "My Aim Is True" Mobile Fidelity Sound Lab Remaster Vinyl LP

2009-12-27T20:55:00.003-07:00

Elvis Costello - "My Aim Is True" MFSL Vinyl LP

#408

MFSL 1-329

Original Release - 1977

At this point in my short record collecting career, I have had very good luck with Mobile Fidelity Sound Lab Remasters. They press great vinyl remasters, the vinyl is heavy 180-gram, and the albums come housed in heavy duty card-stock gatefolds. "My Aim Is True" is no exception to this. I was able to give this a spin today, and I was very impressed with the results. It sounds great, and I am happy to have this album in my collection, as it is an essential Elvis Costello recording, along with "This Year's Model" and "Armed Forces".

I've never really had a long term love affair with Elvis Costello, I have with the Beatles, and the Stones, along with many others. But Elvis has come in and out of my music listening through the years, never overstaying his welcome, and always leaving me happier than I was thirty minutes before. As 1970's rock goes, Elvis Costello represents a real kaleidoscope of influences and musical styles, from blues, to brit rock, to reggae; all of which are present on "My Aim Is True" The Vinyl Shark's favorite of his first three offerings.

I love the cover art of "My Aim Is True", Elvis Costello striking a 50's rockabilly pose in a tweed jacket with Buddy Holly glasses. Very cool Elvis, very cool. The inner artwork shows various photographs of the original source tapes for "My Aim Is True", which is cool to look at if you are a rock & roll freak like I am.

Some of my favorite Elvis Costello songs are on side A including "Welcome To The Working Week", the classic ballad "Allison", and the reggae "rock noir" track "Watching The Detectives". Interestingly enough, "Watching The Detectives" did not appear on the original UK version of the album, but was included in later pressings in the United States. Side B includes classics like "(The Angels Wanna Wear My) Red Shoes" a personal favorite of mine for its simply brilliant rock stylings and classic delivery by Elvis. Also, "Mystery Dance" and "Waiting For The End Of The World".

I don't own a UK original or a US original of this album, so this MFSL pressing was an excellent opportunity to add this to my collection. The sound is great, and the packaging in second to none (Mofi's usually are excellent). A great album that I'm willing to bet has never looked, or sounded better.

Album - A

Vinyl - A

Neutral Milk Hotel - "In The Aeroplane Over The Sea" Vinyl LP

2009-12-26T11:05:00.002-07:00

Neutral Milk Hotel - "In The Aeroplane Over The Sea" Vinyl LP

MRG136

Elephant 6

Original Release - 1998

I had a crazy dream last night. So when I woke up, I naturally put on Neutral Milk Hotel's "In The Aeroplane Over The Sea". Listening to this work of effective lo-fi minimalism, takes you away to a wondrous land in your own head. I find it soothing, a dreamy work of various images and people, woven with psychedelic lyrics and musical arrangements that are strange and wonderful at the same time. They push you away, only to pull you back in the next moment. A "fuzz-folk" soundscape from start to finish, its no wonder many consider this to be the album of the 90's.

When you think of the great albums of the 90's, if My Bloody Valentine's "Loveless" and Radiohead's "O.K. Computer" come to mind before Nirvana's "Nevermind", this is an album you need to check out immediately. On par with the vast sound experimentation of "Loveless", and the post-modern nightmare that is "O.K. Computer", this album leaves the listener with a feeling of hope, even though it is an album inspired by the despair and hopelessness of the Holocaust. Jeff Magum has said many times this album is inspired by the diaries of Ann Frank, but inspired in the key word. If you are looking for lyrical content that would point directly to this inspiration you may need to look elsewhere, the lyrics in this album are vast, seemingly random, and very cryptic. I could see how someone could find hope in the songs and despair at the same time.

My favorite tracks include "The King Of The Carrot Flowers Pt. One", and "Two Headed Boy Pt. Two". This vinyl edition is packaged beautifully in a card-stock shell with an anti-static liner for the LP. Includes lyric sheet and is pressed on 180-gram vinyl. After a thorough cleaning, the record played nicely, with a few pops at the end during "Two Headed Boy Pt. Two". Overall, a nice way to experience this album, it also comes with the mp3 download codes.

Album - B+

Vinyl - B

The White Stripes - "Elephant" Vinyl LP (Import)

2009-12-21T19:58:00.004-07:00

The White Stripes - "Elephant" Vinyl LP (Import)

XLLP 162

Original Release - 2003

V2 Records

I once heard Jack White say that the Blues are synonymous with truth. To me thats a pretty profound statement, and I love the quote, because it sums up what the White Stripes mean to music in the modern day. Hailing from Detroit Rock City, Jack and Meg White recorded this fireball of an album in a London studio over two weeks. The Result is "Elephant", and when it pours from your speakers, basically defines Rock & Roll.

Jack White has often been described as a modern Rock & Roll visionary, and its hard to argue with that with such great blues soaked rock gems like "Ball And Biscuit", "Hypnotize", "The Air Near My Fingers", and "Seven Nation Army". The latter being the biggest hit off this record, and of their career. I still love cranking the receiver right as the needle touches down on "Seven Nation Army", with Jack's guitar so twisted and contorted that you would swear it was a bass. This song also features some of the best writing and imagery of the album.

This Import (Holland) vinyl version is split over two 180 gram LP's. It is packaged in a heavy cardstock gatefold (beautiful), and features different cover art than the American LP or CD version.

The Back of the LP features a poem and its a great read, here is a taste:

Burn baby burn, take the trash to the living room,

laugh at the sweetheart, you and your friend can kill it

if television's aim is bad, break it, hard or die. Hard or die.

It keeps going, you're not wrong, don't worry about it, what matters?

You're having fun right? Break the rules, rebel, break them hard, help yourself.

Make yourself at home, turn on the video games, don't bother to contact, gorge yourself, it's all here for you, take your sweet time.

Album - A-

Vinyl - B+

Neil Young - "On The Beach" Vinyl LP

2009-12-12T21:33:00.002-07:00

Neil Young - "On The Beach" Vinyl LP

R2180

Warner Brothers

Original Release - 1974

"On The Beach" is something of a lost masterpiece of the NY catalogue. It was never released on CD until 2003, when NY was re-mastering many of his works. This album was recorded around the same time as "This Is The Night", and is another example of NY's ability to craft a classic album of interesting music and masterful lyrics. This album features many favorites of die hard NY fans: "Walk On", "Ambulance Blues", and "Revolution Blues".

This is hardly the most uplifting album in NY's large catalogue, but it is engaging. My favorite song is said to be inspired by Charles Manson, this song is "Revolution Blues": "Yes that was me with the doves, setting them free near the factory where you built your computer, love". This song had a driving blues back beat, and is one of three songs to have "blues" in the name. The album on the whole has a blusey feel to it, even when its more folk rock or acoustic stylings. NY used many session musicians on this album, and an interesting fact about "Revolution Blues" is that Levon Helm played drums on it.

I also love "Vampire Blues", NY's scathing attack on the oil industry: "I'm a vampire, babe. suckin' blood from the earth. I'm a vampire baby, sell you twenty barrels worth". I think its very creative how NY weaves in a correlation between our country's addiction to fossil fuel, and also addiction in a more personal sense that NY was seeing at the time this album was recorded. With the loss of many great musicians in this time period to overdose, heroin especially, this is a song that works on many different levels lyrically, and I also enjoy the simple, deliberate blues backbeat that accompanies the track.

"Ambulance Blues" closes the album, this is an epic track with topics that range from ex-lovers to Richard M. Nixon: "I never knew a man, could tell so many lies. He had a different story for every set of eyes, how can he remember, who he's talking to? Cause I know it aint me, and hope it isn't you".

After the impressive run that NY had in the late 1960's and early 1970's, "On The Beach" is like waking up in the morning after the craziest party of your life, getting yourself up and down to the beach where you nurse your hangover reflecting on all the actions and events that have led you to this point (good and bad). Its about pushing the negative out, and embracing the twists and turns that life gives you, and ultimately finding that liberation within, that you can carry with you into a future that at least for NY was looking very promising at this point.

Album - A

Vinyl - B-

Neil Young - "Live In San Francisco" Import (Holland) Vinyl LP DMM Cutting

2009-12-12T17:39:00.003-07:00

Neil Young - "Live In San Francisco" Import (Holland) Vinyl LP

VP80101

Vinyl Passion

Original Release - 2008

Performance Date - October, 22 1978: The Cow Palace, San Francisco

NY is one of my very favorite recording artists, and for my money, any concert of his from the 70's is golden. This 1978 set, chronicles NY at the height of his power. This is a very similar set of tracks as "Live Rust" and is taken from the same tour, it includes classic NY tracks like "After The Gold Rush", "Thrasher", "When You Dance I Can Really Love", "Powderfinger", "Cortez The Killer", "Cinnamon Girl", and "Tonight's The NIght". I could go on and on, this set list simply rocks.

Like many NY live sets, there is a mix of his more folk orientated numbers as well as a smattering of the all out rockers. If someone is unsure that NY is one of the architects of Rock & Roll, a listen to this album should convince them. Maybe its that NY has always been a polarizing figure in America. He's certainly not afraid to tell anyone to fuck off (Nixon) or to call a spade a spade (Cortez).

Since I have either reviewed NY's lyrics, or will do in the future, I will stick to judging the performance on this LP set. The set list stretches over two 180 Vinyl Lp's, and I would have to say the set list is better than the sound quality. This may be due to a number of things, one being that this is a live album, and as live albums from the 70's go, they aren't always the best. I'm not totally sure this is the issue, because I have heard some of the NY Archive vinyl live albums have very good sound quality. To me this recording seems a bit muddy at times, it also could be my system. I plan on picking up a nice copy of "Live Rust" to compare. Overall its cool that this set is available in an import vinyl edition, and I'm glad its in my collection. My motto is you can never have enough NY.

Album - A-

Vinyl - B-

Neil Young - "After The Gold Rush" Vinyl LP

2009-12-06T17:36:00.004-07:00

Neil Young - "After The Gold Rush" Vinyl LP

MSK 2283

Reprise Records

Original Release - 1970

I was so excited to find a 1970's pressing of this album last weekend. It has just been re-released on vinyl, so I am looking forward to comparing the two in the coming weeks. First things first, Neil Young is one of my all time favorite artists, and he is one of Rock & Roll's most important living artists. Rock & Roll as we know it, would never have been if not for Neil Young. You know that thing called "Grunge" that supposedly originated in Seattle? Yeah, that started with NY. East Coast/West Coast rap wars, yep NY did it first (Confused? More on that later). And before Rage Against The Machine made "protest rock" cool again, all you have to do is look back to the great protest rock songs penned and preformed with passion by NY in genesis era of Rock & Roll.

"After The Gold Rush" was released during one of NY's most prolific writing and performing periods from 1968-1972. During this time period, NY released four of the most important Rock & Roll albums in history: "Neil Young" in 1968, "Everybody Knows This is Nowhere" in 1969, "After The Gold Rush" in 1970, and "Harvest" in 1972.

"After The Gold Rush" like many other NY albums, features an all star line up of musicians including Stephen Stills, Nils Lofgren (of Bruce Springsteen & The E Street Band fame), Danny Whitten, and Ralph Molina. This group of musicians recorded this album in NY's basement in the spring of 1970.

This album is a mix of folk rock and classic guitar rock. However, the majority of the album's tracks are of the folk variety, featuring some of my favorite writing by NY. In the title track NY sings "I was lying in a burned out basement, with the full moon in my eyes. I was hoping for replacement, when the sun burst through the sky. There was a band playing in my head, and I felt like getting high". My favorite track on the album is "Southern Man" which is NY essentially giving the middle finger to the social and economic foundations of the southern American states during the slavery era. "Southern man better keep your head, don't forget what your good book said. Southern change gonna come at last, now your crosses are burning fast". This is the most passionate song on the album, a scathing indictment of what some still refer to innocently as "Southern Culture". "I saw cotton, and I saw black. Tall white mansions and little shacks. Southern man, when will you pay them back? I hear screamin' and bullwhips cracking, how long? How long?". Not everyone was a fan of this song, especially the band Lynyrd Skynyrd who struck back at NY in their classic song of Southern pride "Sweet Home Alabama": "Well I heard Mr. Young sing about her, Well I heard ole Neil put her down. Well, I hope Neil Young will remember, a southern man don't need him around anyhow". I grew up in the midst of an East coast/West coast rap war, but this was definetly a North/South rock war.

My favorite, and the most beautiful song on Side B is "Don't Let It Bring You Down": "Old Man lying on the side of the road, with the lorries rolling by. Blue moon sinking from the weight of the load, and the building scrape the sky. Cold wind ripping down the ally at dawn, and the morning paper flies. Dead man lying by the side of the road, with the daylight in his eyes." NY was not born in America, he is Canadian, but I love how his songs can capture the American experience so clearly, not only in this album but in all of his work. I don't think any artist has captured the American experience in song lyrics between 1968-1980 as well as NY has, he has an ability to transform the simple, normal events of life, either good or bad, into beautiful folk rock songs that have stuck with me for years.

Album - A

Vinyl - A (Does anything NY records sound bad? The guy is a sound nut, and my stereo and ears appreciate the effort).

Jeff Beck - "Wired" Vinyl LP (White Label Promo)

2009-12-06T15:28:00.003-07:00

Jeff Beck - "Wired" Vinyl LP (White Label Promo)

PE33849

Epic

Original Release - 1976

I haven't had a chance to delve into the Jeff Beck catalogue until now, and I'm glad I did. I spotted this white label promotional copy of "Wired" over the weekend and had to take it home. In an attempt to bring everyone up to speed, a white label promotional copy is essentially a test pressing of an album distributed to radio stations when an album is released. Some of the time these pressings are on higher grade vinyl, but not always. It is generally accepted that these recordings sound better than regular copies because they are first pressings, and the conventional wisdom provides that the earlier an album is pressed, the better the quality. You will notice in the picture that there is a large white label on the front listing the tracks and the center of the actual LP is white with black letters.

Jeff Beck is one of rock's greatest guitar players. He is listed at #14 in Rolling Stone's "Greatest Guitar Player's" issue. He has worked with some of the finest guitar God's in the industry, including Jimmy Page and Eric Clapton and continues to record. "Wired" is Beck's second full length solo album, and in 1976 was a commercial and critical success.

Jeff Beck's style should be familiar to any classic rock fan, he plays with a mix of blues and jazz influences, and on this instrumental album you really get a good look at his style and techniques. Standouts on this album are his interpretation of "Goodbye Pork Pie Hat" and also "Sophie".

This is my first experience with a white label promo, and if I ever see some more I will be inclined to pick them up. I think the sound quality of this album is very good for its age, and the vinyl is in great shape. When I would really concentrate on the sound I barely heard any surface noise on Side A, and only a hint towards the end of Side B. If you are a guitar rock fan at all, look into Jeff Beck, he may not get all the attention of the other well known guitar God's of classic rock, but this unsung hero really shreds.

Album - B

Vinyl - B+

Albums of the Year (So Far) - 2009

2009-12-05T17:09:00.006-07:00

Albums of the Year (So Far) - 2009

As we come to the close of 2009, I would like to share with all the readers a few of the most interesting albums I hear in 2009. No, this will not be a countdown, as I am a little worn out from my "50 Greatest Albums of the Decade" list from earlier this year. I will simply list randomly the albums that were released in 2009 that I listened to the most.

Wilco - "Wilco (The Album)": This is a nice vinyl release if you can find it, plus it comes with the CD of the whole album. J. Tweedy and Co. are back with more experimental rock along the lines of "Sky Blue Sky" mixed with "A Ghost Is Born".

Dirty Projectors - "Bitte Orca": If you like experimental albums then this is for you.

Phoenix - "Wolfgang Amadeus Phoenix": Killer album name. Minus five points for being in a car commercial.

Neko Case - "Middle Cyclone": Neko brings the goods, a beautiful album.

The Hold Steady - "A Positive Rage {Live}: A great live band.

Girls - "Album": Check out "Hellhole Ratrace".

The Pains of Being Pure At Heart - Self Titled: Carrying the torch of My Bloody Valentine.

U2 - "No Line On The Horizon": Its a grower, but layer by layer you will experience a complex and beautiful album from Bono and the boys.

The Flaming Lips - "Embryonic": Stunning, and very experimental (what would you expect?), best track by far is "Evil".

Bruce Springsteen - "Working On A Dream": The work is never done.

Edward Sharpe & The Magnetic Zeroes - "Up From Below": A great folk album, check out "Home".

Bob Dylan - "Together Through Life": Amazing as always.

Lets hope 2010 gives us something to talk about.

The Rock & Roll Hall of Fame 25th Anniversary Concert

2009-11-30T21:16:00.009-07:00

The Rock & Roll Hall of Fame 25th Anniversary Concert - HBO Sunday, Nov. 29th

I promise to keep this post shorter than the duration of the show last night. Clocking in at over 4 hours, this is the stuff Rock & Roll dreams are made of.

The overall concert experience was very good, how could it be bad with such talent present? Crosby, Stills & Nash started things off with a few rockers from their Woodstock days and were joined by James Taylor which was a great touch.

I thought Stevie Wonder did an excellent job under what proved to be a very emotionally challenging atmosphere with an impromptu homage to Michael Jackson: "The Way You Make Me Feel", and I also enjoyed Sting's appearance for a "Roxanne" medley with Stevie.

One of the top highlights of the entire evening was the Simon & Garfunkel reunion for a stunning performance of "The Sound of Silence" that left me with chills. Followed by "The Boxer", and "Bridge Over Troubled Water". Its great to see them side by side again, and although they have aged, the songs remain timeless, a true testament to their talent. I also loved Paul's ode to George Harrison with a heartfelt rendition of "Here Comes The Sun" with David Crosby and Graham Nash.

I have heard a mixed reaction regarding the U2 set, so I'm here to set the record straight: it was extraordinary. U2 focused more on their new material, only playing one song from their Joshua Tree era: The "I Still Havent Found What I'm Looking For" duet with The Boss. The second top highlight came as a surprise for me, at the end of the U2 set they announced members of the Black Eyed Peas and Bono announced they would "Try something here", which immediately caught my attention, and I almost had a breakdown when I heard the first few chords of the Stones Classic "Gimmie Shelter", off Let It Bleed. Then, form out of nowhere Mick Jagger emerges to give a spirited and energetic performance, and to my pleasant surprise, Fergie really held her own with the big boys, I think even The Edge was impressed. One of the best performances of the night was U2, Bruce Sprinsteen, and Patti Smith on "Because The NIght", great to see Patti back in performance mode, and you could tell Bono was feelin' it, I think he really does wish he had written that song.

The Metallica set provided the most "wtf?" moments for me, in what was mostly a well oiled machine, the show almost went off the deep end here, but alas everything worked out in the end. By the way, what insane sicko thought out the combination of Lou Reed and Metallica? I'm not complaining too much, because the combination was surprisingly effective, but on paper thats one trippy combination. I love Lou Reed, I really do, it was good to see him on stage. And what was Ozzy trying to prove? I mean, everyone knows he is the King of Fucking Darkness but really, he needs to hang it up. His pathetic efforts to energize the crowd left me feeling cold, and saying "fuck" every five seconds to try to appeal to the rap loving youngsters of America fell on deaf ears.

Jeff Beck. Wow. Third stand out moment from Sunday night with the show-stopping instrumental of the best Beatles song of all time "A Day In The Life". A stunning tribute from one of the most talented guitar players of all time, a true perfectionist, a true artist.

Last, but certainly not least is Bruce Springsteen & The E Street Band. The aging E Street Band is in fine form, and performed some classics including "Jungleland" and "Born to Run". Hosting legends like Billy Joel, they closed out the night. A Springsteen highlight came at the hands of Rage Against The Machine guitarist Tom Morello on "The Ghost of Tom Joad". Words don't do it justice, just catch the replay, amazing stuff.

A great night for music fans. Although these artists may not be the same age as you remember them, the music will live on long after we are all gone. As people we will always need liberation, and thats where Rock & Roll comes in.

Frank Zappa - "Hot Rats" Vinyl LP

2009-11-27T11:14:00.003-07:00

Frank Zappa - "Hot Rats" Vinyl LP (1969 Blue Label Original)

RS6356

Bizarre

Original Release - 1969

First things first. This is the scariest album artwork I've seen since the days when I was still afraid of the artwork on Meatloaf's "Bat Out of Hell". Now that we have that out of the way, this album rocks!

This is my first experience with Frank Zappa. Of course I have heard of him, the man, the myth, the legend, but this is the first album of his I have had the pleasure of listening to all the way through. "Hot Rats" is Zappa's second full length, after the original Mothers of Invention broke up. For the Mothers of Inventions fans out there, this album does feature Ian Underwood.

This is an album unlike any I have heard before, such a cool and smooth combination of jazz and rock, with extended solos reminiscent of The Dead and Phish. The albums 47 minutes spin by in a flash of violent and erratic jazz stylings, and other-worldly axe shredding that will leave you begging for more. It is important to note that you are listening to history in the making, because "Hot Rats" is the first rock album to use 16-track recording technology that you will most likely hear in the drum work first, since 4 of the sixteen tracks are dedicated to the skins alone.

Another treat on this album is the appearance of none other that Captain Beefheart himself of the bluesy rock song "Willie The Pimp". Captain Beefheart's voice is the perfect match for the chaotic musicianship around him, and with this being the only track on the album with lyrics, you will no doubt remember it for a long time to come.

Since there has been some controversy over the remixed CD versions of these songs, the original LP track listing and length is as follows:

1. Peaches en Regalia..............(3:58)

2. Willie The Pimp..................(9:25)

3. Son Of Mr. Green Genes...(8:58)

4. Little Umbrellas.................(3:09)

5. The Gumbo Variations......(12:55)

6. It Must Be Camel................(5:15)

This was obviously a used copy, although Classic has released remastered editions in 150 gram, and 200 gram variations that I hear are quite good. The vinyl is black, and in excellent condition for its advanced age. The sound quality is terrific, considering I have had it cranked and have heard nothing close to a hiss or pop, and in-between songs the vinyl is very quiet.

This movie for your ears was produced & directed by F.Z.

Eat your heart out Tipper Gore.

Album - A

Vinyl - A-

The Replacements - "Tim" Vinyl LP

2009-11-16T20:43:00.005-07:00

The Replacements - "Tim" Vinyl LP Rhino Reissue 180 Gram Edition

R1 25330

Original Release - 1985

If you grew up in the Minneapolis/St. Paul area you know its a great area for music. Its also ingrained in your DNA to be a fan of three bands: Prince, The Jayhawks, and The Replacements.

The Replacements at the time "Tim" was recorded included Paul Westerberg, Tommy Stinson, Bob Stinson, and Chris Mars. These local heros helped make the 80's a great decade of music for Minneapolis, and helped make one of the finest music venues in America (First Ave.) into a household name.

"Tim" is the first major label release from The Replacements, and is my second favorite behind the less polished "Let It Be". "Hold My Life" starts off the album with familiar Replacements mid-tempo rock, with classic 70's rock influences. Its not until "Dose of Thunder" where things start to get a bit more creative, breaking out of the Replacements go to "Sound". The lyrical content of "Tim" mostly consists of misfits and loner adventures in Saint Paul, love and loss, nothing new but definitely a fresh approach; obviously the Hold Steady were influenced by this story telling approach. I like how honest the lyrics are, and how straightforward they seem, nothing like a good old Minnesota band telling it like it is.

Turn up the dial for side two, I promise the first 15 seconds of "Bastards of Young" will blow you away, and on this vinyl pressing, you really feel it in your loins. Nothing like a good primal scream in a rock song, its the perfect opening to an all time great rock song.

Minnesota Punk will never again see a band as great as The Replacements.

This vinyl reissue by Rhino sounds great, its pressed on heavy duty 180 Gram vinyl and looks flat, and shiny.

Album - B+

Vinyl - A-

Led Zeppelin - "III" Vinyl LP

2009-11-15T20:40:00.004-07:00

Led Zeppelin - "III" Vinyl LP

Atlantic SD 19128

Original Release - 1970

Led Zeppelin's third album focuses more on a folk and acoustic base than their other albums more known for powerhouse classic rock. This makes for an all-together different listening experience, one that is enhanced by the vinyl format. Recorded for the most part in a remote cottage called Bron-Yr-Aur, in Whales, Led Zeppelin "III" proves that these artists can do almost anything.

The album opens with the Led Zeppelin classic "Immigrant Song" which sounds like business as usual until "Friends" comes along to shake things up a bit, more of an acoustic song with classic folk inspirations present. "Friends" leads to "Celebration Day" where we again hear some more classic Zeppelin musicianship that resembles their work on "I" and "II".

Side two of this album features some of Zeppelins most interesting an delicate musicianship, and when their albums are listened to as a whole, its easy to see how they kept the foot on the peddle after this album and made "IV". "Tangerine", "Bron-Yr-Stomp", and "That's The Way" are some of my favorites. This album is often overshadowed by "II", "IV", and "Houses of the Holy" but it is an essential puzzle piece to the Led Zeppelin catalogue and a worthy addition to anyones vinyl collection. I will be hunting down some more 1970's Atlantic pressings of albums, because they sure do sound great.

Album - A-

Vinyl - B- (For being close to 40 years old, it sounds quite good).

Little Richard - "Here's Little Richard" MFSL Remaster

2009-11-14T13:55:00.004-07:00

Little Richard - "Here's Little Richard" Mobile Fidelity Sound Lab Remaster 180 Gram Vinyl

MFSL1-287

Original Release - 1957

Limited Edition Pressing of 2,500

If you are anything like me (this intro will have to suffice until I can think of a better one) you often wish Little Richard could be in your living room. Well, now that is a possibility with this lavish remaster of the classic rock & roll album "Here's Little Richard".

I actually started laughing when I dropped the needle on "Tutti Frutti" because it sounds so damn good! Its literally like having Little Richard in your living room, the sound quality is fantastic, displaying the magic MFSL can use to make even the oldest rock recordings sound better than any CD in my collection. One important thing to note is that these are all live studio recordings, no multi-channel business here, just rock & roll which makes this remaster all the more special.

MFSL has again used their Gain 2 Ultra Analog System to go back to the master tapes (for the truest possible sound) giving you an idea of what it was like to be in the studio during the recording process. "True Fine Mama", "Ready Teddy", and "Rip It Up" will literally tear your speakers to shreds in the best way possible. "Long Tall Sally" and "Miss Ann", two of my favorites sound so clear and immediate, it makes me wish I could be on a Pirate Radio ship broadcasting it to the good people of the UK in 1966 (Readers note: do yourself a favor and go see Pirate Radio, its an excellent movie and starring in it is my favorite actor Philip Seymour Hoffman as "The Count").

The MFSL remaster of "Here's Little Richard" represents everything I love about music and listening to it in true analog. Run out and get a copy while you can, I heard this is already out of print. If you get it, your stereo will thank you.

Album - A

Vinyl - A (This vinyl edition is pressed on black 180-gram vinyl. Its flat, shiny, and sounds terrific a new high point for my growing collection).

Sly & The Family Stone - "Stand!" Vinyl LP

2009-11-12T21:32:00.005-07:00

Sly & The Family Stone - "Stand!" Vinyl LP

Sundazed LP5146

Original Release - 1969

There are many ways to measure the greatness of a band, but Sly & The Family Stone played an epic 3 A.M. set at Woodstock... Yeah, pretty hard to argue with that. "Stand!" was released as the legendary 60's was coming to a close, and in a way, served to honor the great decade of music the 60's gave us, yet welcomed the new decade with open arms. This is an album that really embodied what the counter-culture revolution had strived for. These are not just rock songs, or funk songs, or soul songs, these songs represent a mindset at least of one band at the end of arguably America's most tumultuous decade.

Its pretty rare to have such an exciting album musically, also in the same stroke dealing with some really deep and personal subject matter. From race relations, to treating one another as we should, "Stand!" fires on all cylinders.

From "Everyday People", to "Sing a Simple Song", the excellent instrumental "Sex Machine", and "I Want To Take You Higher" this is a classic album that will leave you feeling better that you did 40 minutes ago.

"Makes no difference what group I'm in/I'm everyday people, yeah yeah"

Album - A

Vinyl - B- (Replacement received Christmas eve, better than the cold pressing I originally bought, but nothing to write home about).

Check out Sly & The Family Stone Live at Woodstock here: http://www.youtube.com/watch?v=QBIA7hZE0l0

Lou Reed - "Live" Vinyl

2009-11-10T21:22:00.004-07:00

Lou Reed - "Live" Vinyl

RCA-AYL-3752

Original Release 1975

If you are anything like me, you love Lou Reed (Readers note: I also love the Velvet Underground but that topic is for a future post). Maybe his solo work isn't in constant rotation, but it is a staple none the less, and I haven't met anyone who turns the radio dial when "Walk on the Wild Side" comes on, one of the great rock & roll songs of all time.

I am a huge live album fan, and this happens to be a great live set from 1975 showcasing Lou Reed preforming at the Howard Stein Academy of Music in New York City. This 6 song set, which by modern standards would be considered a live EP features some of Reed's best songwriting. There are three stand out classics "Walk on the Wild Side", "Satellite of Love", and "I'm Waiting for the Man"; and also includes "Vicious", "Oh Jim", and "Sad Song".

Lou Reed really brings the jams here, even if its only 6 songs. I would highly recommend it to anyone who is a live album fan or for someone who is new to Lou Reed. The vinyl is standard weight black.

Album - B+

Vinyl - B-

Arlo Guthrie - "Alice's Restaurant" Vinyl

2009-11-07T22:17:00.006-07:00

Arlo Guthrie - "Alice's Restaurant" Vinyl (1967 Stereo)

RS-6267

Original Release - 1967

"Alice's Restaurant Massacree" is probably the best folk-rock protest song of the 60's. The biting social satire is exquisite, and the wisdom of the lyrics are somehow still applicable in the present day. This is one of the essential recordings of the 20th Century, and its wonderful 18 minute runtime takes up all of side A.

I have fond memories of listening to "Alice's Restaurant". Some of my earliest Thanksgiving day memories involve listening to it played on a local radio station (Cities 97 for you locals out there) as we drove to Wisconsin to my relatives house for Thanksgiving day. Although for many of those years, I never really knew what the song was about; figuring it was just an overlong folk song about two guys trying to dump some trash on Thanksgiving day. Little by little, every year I realized more and more what the true meaning of the song is, and to this day each time I listen to it I find something new I love about it. I can't wait to drop the needle on this 1967 original in about a month, because no Thanksgiving day is complete with out a trip to "Alice's Restaurant".

Side B features classic songs including "Chilling of the Evening", and "I'm Going Home". These folk songs made Arlo Guthrie a festival favorite in the late 60's, and I only wish we had some bands out there who would cover it to draw attention to the same issues Arlo did so many years ago.

Album - A

Vinyl - C (Note: this was a used pick up, and I wasn't about to leave an original out of my collection, "Alice's Restaurant" plays really well and thats all I'm concerned with).

Kings of Leon - "Aha Shake Heartbreak" Vinyl

2009-11-03T21:09:00.005-07:00

Kings of Leon - "Aha Shake Heartbreak" Vinyl (Two 1o" Vinyl Edition)

HMD40

Original Release - 2004

For those of you who don't know the Kings of Leon yet, they are an American rock band, formed in Nashville, Tennessee in 1999. The band consists of three brothers and a cousin: Caleb Followill - Pipes, Nathan Followill - Skins, Jarred Followill - Bass man Boss man, and Nathan Followill - Licks. There is a quick introduction to one of the best rock and roll bands America has to offer.

The last great Kings of Leon album is their most fun. Its the faster, dirtier, and more focused sibling to their excellent debut "Youth & Young Manhood". There is something so romantic about a primal rock & roll album, hearing a band work out its sound before they "break out", which eventually happened to KOL in 2009 behind the mega-hit singles "Sex On Fire" and "Use Somebody".

With every great band that comes along there is a period of time when they are a best kept secret. You may wish them all the success in the world, for the world to see their true brilliance, but when that happens it somehow leaves you feeling empty. This is exactly how I feel about KOL. I saw KOL in Minneapolis on the "Aha Shake Heartbreak" tour at the Fine Line Music Cafe. I was in the 2nd row center, in a crowd of about 400 people, on a cold winters night. The show was great, it was energetic, it was loud, it was everything a rock & roll show should be, and I realized that it was only a matter of time before these guys hit it with some un-inspired single on MTV, or worse, having a song featured in a commercial. Both of these things happened, but that debate is for another post.

This vinyl edition of "Aha Shake Heartbreak" is what I love about recorded music, because no matter what, you will always have this album. The KOL don't pull any punches, they will straight up tell you to piss off, and smash their guitars in the process (as Caleb did at the Readings Festival, smashing his precious Gibson ES-325) which, to me, and especially in 2005, was totally refreshing.

What we have here is a deep fried, southern soul, rock & roll album. Its something that can never go out of style, its like wearing blue jeans, or a Jack Daniel's on the rocks, it... just... is. The KOL channel all of their influences with great results in this lick filled record that will leave your head spinning. Hints of Led Zeppelin, The Black Crows, Skynard, and even British Invasion influence will give you a feast for the ears. This is a riff heavy album, from "Taper Jean Girl", to "The Bucket", to "Pistol of Fire" which displays the always present KOL innuendo; just take a listen and let it do its job. If you do that, it will rock your face off.

Another highlight is the old school rocker "Soft", with its easy going drumming, and great bass line (that really shines through on vinyl), and totally ridiculous lyrics. This song sums up KOL in a nutshell, rock & roll is an attitude. And if you don't like it, then expect the finger from Caleb and the boys.

This vinyl presentation is really exciting for a number of reasons. First, the presentation is beautiful, with a 10" black heavy duty gatefold. Second, the 10" vinyl itself is clear, which is a super cool surprise. Lastly, there is a bonus track added to the end "Where Nobody Knows", this is exciting news to the KOL faithful who have the fist pressing of the U.S. CD release.

The clear vinyl sounds great, and there is only a touch of needle movement on sides A & B. Surface noise is at a minimum, and its great to hear such distinguished low end here, that really displays the KOL bass line better than the CD version.

Album - A -

Vinyl - A -

Girls - "Album" Vinyl LP

2009-11-01T15:37:00.002-07:00

Girls - "Album" Vinyl LP

True Panther Sounds

True-010-1

Original Release - 2009

If you follow the indie music scene at all you have heard of Girls, and you undoubtedly know the story behind "Album". My ears usually perk up when an album gets above a 9.0 on Pitchfork, which this did, and let me tell you its a heck of a rock album.

Written in the wake of a failed relationship, this is a very personal album lyrically, while sonically its a mixture of indie and classic rock influences that keep me interested until the end. Christopher Owens has a very distinctive voice, which shoots out of the speakers with "Lust For Life" wondering "I wish I had a father, maybe then I would have turned out right", and "I wish I had a pizza and a bottle of wine". Now if you know Christopher's history, its no wonder he wishes for any of these things, but more importantly in this short first song we are introduced to a major theme of desire and want, which is present through the whole album.

Side A is by far the best side, ending with the exceptional "Hellhole Ratrace", a 7 minute masterpiece, simple yet effective lyrics matched with a building guitar crescendo shows that Girls are for real: "I don't wanna die, without shaking up a leg or two, yeah I wanna do some dancing too, so come on, come on, come on, come on and dance with me". This song has a great music video, check it out. Superb.

Side B is a bit less gripping than A, but there are some shining moments to speak of, especially "Lauren Marie" and "Curls". This vinyl release comes on standard weight black vinyl packaged in a beautiful heavy duty gatefold. It also includes the digital download codes to reward the patient who didn't rush out to buy the CD before the LP became available. Check it out for something different.

Album - B

Vinyl - B+

Wilco - "A.M." 180 Gram Vinyl LP Reissue

2009-10-27T17:39:00.001-06:00

Wilco - "A.M." 180 Gram Vinyl LP Reissue

Nonesuch 518084-1

Original Release - 1994

"I remember, on "Passenger Side", I was so unsure of the chord changes at the time we recorded it, I put a phase shifter on the guitar, to try and mask my fumbling for the right chords. Played it one time like that, and it was done. That's how the whole deal went down, before I could learn a song properly, it was considered finished. This is not the stuff great bands are made of, is it?

-Brian Henneman, liner notes from "A.M."

I understand the apprehension Brian must have felt in the studio with Wilco in 1994, after all with the recent split of alt-country heros Uncle Tupelo, the alternative and independent music community was forced to choose sides, Wilco or Son Volt. But what Brian didn't know at the time, is that fifteen years later, "A.M." would be considered a classic alt-country album, and the beginning of some of the most vast sonic experimentation one band has ever created in the studio.

"A.M." begins with "I Must Be High", "Casino Queen" and a lyrical favorite of mine "Box Full of Letters" where Jeff Tweedy sings "I got a lot of your records/in a separate stack/some things that I might like to hear, but I guess I'll give 'em back". The thing that makes this music so effective, is the fact that its so simple. It does not try to re-invent the wheel, its just great alt-country with lyrics that are distinctly American.

This album features some of Jeff Tweedy's most personal lyrics, the majority of them focusing on relationships, like in "Thats Not The Issue": "I've been thinking/about leaving too/that's not the issue/I'm leaving/I'm leaving now/I'd say goodbye/but I don't know how". This album comes to a close with the excellent "Too Far Apart", which is the best song on the second side.

This is the album that started it all, if you were to begin with a later release like "A Ghost Is Born" or "Wilco (The Album)" you might not recognize them, and thats the best part. Wilco is never satisfied, they are always pushing the envelope to create in the studio, which makes them one of America's greatest treasures. Dig in and enjoy.

This 180 Gram Vinyl Reissue is pressed on High Performance black vinyl, which arrived flat and with little surface noise. Wilco is a band that begs to be listed to on vinyl, and you will be rewarded for the effort. A great way to buy this album, because it comes with a CD of the complete album on the inside.

Album - A

Vinyl - A-

Band of Horses - "Cease To Begin" Vinyl LP

2009-10-26T20:35:00.000-06:00

Band of Horses - "Cease To Begin" Vinyl LP

SP745

Original Release - 2007

Band of Horses is an American indie rock band from the Pacific Northwest, they have been together since 2004. This album "Cease To Begin" is their second release, after the excellent "Everything All The Time" in 2006.

The obvious winner here is the first track "Is There a Ghost", which may be their best song to date. This whole album has a great feel to it, almost like they are performing in your living room, and that sensation is really apparent on vinyl. This vinyl release has much more depth than the CD, which is great here with such a polished low end.

"The General Specific" is the other great moment on side A, a down home rocker that reminds me a bit of The Rolling Stones, Fleet Foxes, and Limbeck: "In time I'd find a little way to your heart, down to the general store for nothing specific, gonna wash my bones in the Atlantic shore - only for you and me".

Ben Bridwell often reminds me of Neil Young, especially on this release. "Cease To Begin" really aims to simplify the message, with great results. Its great rock & roll music, with all of their influences packed in. "Cigarettes & Wedding Bands" is the best track on side B, with the always interesting "Window Blues" closing out this great album. This release is standard weight black vinyl, smooth and flat.

Album - B+

Vinyl - B+

Coconut Records - "Nighttiming" Vinyl LP

2009-10-25T18:00:00.001-06:00

Coconut Records - "Nighttiming" Vinyl LP

Picture Disc

YBR001LP

Original Release - 2006

Coconut records is an American indie rock band based in Los Angeles, California. You may not have heard of them yet, but you have heard of the man behind this side project: Jason Schwartzman (former drummer of the band Phantom Planet, and actor currently in the excellent HBO comedy "Bored To Death").

This album starts off with the melancholy "This Old Machine" featuring Kristen Dunst on backup vocals, she also appears on "Summer Day". Another more fitting guest appearance is the lovely Zooey Deschanel on "Ask Her To Dance". The first outstanding track is "West Coast" where Jason sings: "I miss you, I'm going back home to the west coast. I wish you, would have put yourself in my suitcase". This track also displays the very nice bass work on this album, which is brought to full life with a beautiful picture disc vinyl pressing. "West Coast" like many other indie rock songs, was featured on the soundtrack to "The O.C.".

Jason finds his inner Paul McCartney on "Easy Girl", and he explores some alt-country territory with "Slowly", and "Mama" which sound like they could be B-Sides to a Ryan Adams release around 2000. "The Thanks I Get" is easily the best song on the second side, reminding me of Paul Simon, and finally "Its Not You Its Me" is a classic pop song with Strokes like guitar jams and obvious indie lyrics.

This first release from Coconut Records is a sure cure for the usual rock albums being released lately, but I would like to see Jason and the gang explore some more of their influences. A few of these tracks feel a little too safe, and indie rock is all about taking chances. But for what its worth, it will be a welcome contribution to your library, a short and sweet pop album.

The picture disc is beautiful, clean and flat. The most unique looking slab of vinyl in my library by a long shot. Sounds great with a warm, full low end and relatively little surface noise.

Album - B

Vinyl - A-

The Pains of Being Pure At Heart - "Higher Than The Stars" Vinyl EP

2009-10-25T14:52:00.000-06:00

The Pains of Being Pure At Heart - "Higher Than The Stars" Vinyl EP

SLR105

Original Release - 2009

This American rock band from New York, NY emerged from relative obscurity in 2009 with the release of their excellent indie-pop self titled debut. This EP is a sort of companion piece to that album, featuring four tracks that could have easily fit into the LP. "Higher Than The Stars", "103", "Falling Over", and "Twins" continue in the shoegazing, twee pop style of the LP with great results. They have managed to pick up exactly where My Bloody Valentine left off, and that is welcome news to these ears.

This is music for a beautiful starry night, driving through the city while hitting every green light imaginable, sunroof down, with the stars above. You will feel higher than the stars while listening to this beautiful EP, I can't wait to see what they have in store for their follow up LP.

This vinyl EP package includes the download codes from the record company, so you can have it on your itunes as well. Bonus! The vinyl is standard weight, black and flawless. This is an essential vinyl purchase, because its reasonably priced and with the download codes its the best of both worlds.

Album - B+

Vinyl - A-

The Flaming Lips - "Hear It Is" Vinyl LP

2009-10-25T12:38:00.000-06:00

The Flaming Lips - "Hear It Is" Limited Edition Vinyl Reissue (White Vinyl)

Plain III

Original Release - 1986

The Flaming Lips are an American rock band formed in Oklahoma City, OK in 1983. Mostly known for their very experimental album releases in the late 1990's and 2000's, "Hear It Is" is their debut LP. This album reminds me of Wilco's "A.M." it has the same overall feel, and it is similar because these two debuts have been the starting point for vast sonic experimentation.

With "Here It Is" you are introduced to the psychedelic roots of the Flaming Lips. In "With You", Wayne Coyne sings "When you're touching me, I feel great. When I'm touching you, hallucinate". On that note, its worth mentioning that the eye on the album art is an image of Richard English's eye while on acid. Interesting stuff. The Flaming Lips really show their punk rock influence with the track "Unplugged", and on "Trains, Brains & Rain" I can't help but think of Martin Zellar and the Gear Daddies. "Jesus Shootin' Heroin" is easily the best song on this album and also features the best lyrics "Well I never really understood religions, except it seems a good reason to kill. Everybody's got their own conceptions, and you know they always will. These days are needles under my skin. Jesus shootin' heroin". Also, we see the beginnings of the always present death motif here, in "She Is Death".

Its interesting to listen to this album, after hearing much of their present work. The sonic progression is vast, and I love the creativity that emerges from every album. This is a great look at the early Flaming Lips, trying to find their footing.

The Vinyl was flat, and the white finish is beautiful with little to no scuff marks.

Album - B+

Vinyl - B+