Arcade Fire - "The Suburbs"

Arcade Fire - "The Suburbs" Vinyl LP (2x LP Gatefold)

MRG 385

Original Release - 2o1o

"So can you understand why I want a daughter while I'm still young? I want to hold her hand, and show her some beauty before all this damage is done."

The lyrics of Arcade Fire's catalogue are nothing if not dramatic. The new album "The Suburbs" is full of the kind of imagery and emotion you have come to expect from Arcade Fire. What we have here is a perfect marriage of the anthemic nature of "Funeral" and the intimate, foreboding nature of "Neon Bible".

"The Suburbs" works on so many levels. It works as pure sonic pleasure, an instantly listenable album that rewards repeat listens. It works as a stepping stone in the Arcade Fire catalogue, the natural progression of sonic evolution from a band that seems to release each subsequent album under unbearable public expectations. And it also works as a meditation of life, what we all experience, or look forward to experiencing as we get older. The inevitable look over the shoulder at your former self, as you progress ever onward into adulthood and beyond.

"The Suburbs" and "Ready to Start" open the album with an uptempo pace, much like the anthems on "Funeral", its not until "Modern Man" that things settle down into a mid-tempo groove. Win Butler sings "Maybe when you're older you will understand why you don't feel right why you can't sleep at night now in line for a number but you don't understand like a modern man." Lyrics Reminiscent of another excellent 2o1o release from The National "High Violet". Like "High Violet", "The Suburbs" is about change, and how we deal with that change. With "Rococo", we hear Arcade Fire climax into a chorus that sounds like the best of Radiohead, Neil Young, and Bruce Springsteen put in a blender.

A ferocious arrangement of strings and guitars open "Empty Room" while Regine Chassagne sings of loneliness and self discovery. The musicianship is often brilliant early in the album, always exciting and different, if not always as experimental as we usually expect from Arcade Fire.

The exceptional "Half Light I" thrills the listener with pure escapism. The desperate cry for adventure and meaning reminiscent of classics like "Born to Run" and "Thunder Road" will grip you with a longing for an open highway at sunrise: "You told us that we were too young, now the nights closing in and in the half light we run". The song slowly builds with tension provided by Jeremy Gara, and slowly bleeds into "Half Light II (No Celebration)". Never has a desperate world and American economy been described with such beauty, moreover Win describes the eventual decline that sustains us as inhabitants of earth: "Pray to God I won't live to see the death of everything that's wild. Though we knew this day would come, still it took us by surprise. In this town where I was born, I now see through a dead man's eyes". What is it with the Canadians and their natural ability to commentate on our general lack of respect for nature? I'm thinking mainly of the wonderful Neko Case, the legendary Neil Young, and now the introspective Win Butler.

"Month of May" is a natural born rocker that opens Side 3 with a furious backbeat and some funky, experimental guitar work. Here we also have the now famous commentary on the Hipster movement. As someone who has preformed in front of crowds all over the world, I'll take Win's assessment of the situation as gospel. Unfold you're hands Hipsters, enjoy, this is life.

"Wasted Hours", "Deep Blue", and "We Used to Wait" all confront the listener with sounds and lyrics of escape and freedom juxtaposed against the feeling of, well, the suburbs. Towards the end of the album there are many "what does it all mean" moments, "why do I feel this way", and "am I alone in this". We all have these feelings, we all want to find that sense of home and belonging, and we all want to run. How do we deal with change? "When the lights cut out I was lost standing in the wilderness downtown. Now our lives are changing fast. Now our lives are changing fast. Hope that something pure can last." All of Side 3 builds with an immediacy that leads into the beautiful finale that is Side 4.

"Sprawl I" brings to mind the helplessness at the hand of The Man that was presented with such vivid imagery during "The Trial" of Pink Floyd's "The Wall". Helplessness and longing hangs over "Sprawl I" and gives way to the beautiful, driving, and epic "Sprawl II". What sounds like a reworking of "Heart of Glass" (only cooler) the driving beat and voice of Chassange give this listener the chills. An anthem to regain our humanity by, lets not simply accept what someone tells us, lets not just punch the clock: the dystopian police lights are blinding, she is calling for darkness, she is calling for freedom.

"So grab your mother's keys, we leave tonight"

Album - A

Vinyl - The vinyl is presented beautifully in a glossy gatefold (8 different choices). The vinyl is black and standard weight. The vinyl for the most part sounds excellent, but my side 4 has some issues and does not sound as clean as I would expect from new vinyl. B

Broken Social Scene - "Forgiveness Rock Record" Vinyl LP

Broken Social Scene - "Forgiveness Rock Record" Vinyl LP

A&C054

Arts & Crafts

Produced by John McEntire & BSS

Original Release - 2010

BSS is an interesting case study of modern indie-rock. They are critical darlings, the Daniel Day-Lewis of indie, emerging and re-forming every few years to release a highly touted album. BSS has more members and ex-members than British Parliament, this sentiment expressed with comedic excellence by Texas Travesty in 2009:

Campus Spotlight

Michael Prohaska
That guy who played with Broken Social Scene once

Texas Travesty:So how has your life changed since the big show?
Michael Prohaska: Oh, it's great. I'm a true rock star now. All my friends have told me that I've changed a lot, and that I act differently around them. But that's OK, I don't really need friends that aren't already rock stars.
TT: What's the next the step in your musical career? Any big projects lined up?
MP: Now that I'm basically a member of BSS, I'm currently working on a few side projects, including my upcoming solo project with whale sounds and sitars called "Electric Birth Canal," as well as a few local gigs, you know, to stay true to my roots.
TT: How did you did you get the opportunity to play with such a prominent indie act?
MP: Well, I knew that some of the songs had trumpets on the track, and I thought I would make a great addition to the band. I snuck in backstage to the rehearsal early in the day by tasering several members of the security team. It only took two measures of my sweet trumpet riffs and the band had to have me. The security guards recovered and we all had a good laugh about it later.
TT: Any advice for the rest of us trying to hit it big?
MP: Just remember: People only think you're as great as you tell them you are.
Turn-ons: French horns, light jazz, Canadians, female vocalists, amphitheaters, great crowds, selling out the big show, breakin' da rulez, European folk music, French wine, proper tuning

Turn-offs: scalpers, major record labels, cultural "norms," people who only got into BSS after they hit it big, people who say I sold out, carbon emissions, parents

BSS's "Forgiveness Rock Record" is an excellent album. As an added bonus, it has been released with the "Lo-Fi For The Dividing Nights" EP. We know what to expect from BSS and they deliver with inventiveness and experimentation. "World Sick" kicks off the album with swelling guitars and harmony, while "Texico Bitches" provides the perfect rhythm and lyrics for a sunny drive down the highway. We experience some tempo and mood changes on side B with "Art House Director" and "Highway Slipper Jam".

This is an album made by people who are comfortable in their skin, they don't try to do to much, and they know how to keep it loose. Recently I read an extensive article on BSS in Filter magazine. It covered four seasons with the band, notably over the winter holidays in Canada, where BSS played a somewhat impromptu gig at a poetry reading. Thats just how they roll, hang out and drink a few pints, and then take the stage with a replacement drummer, keeping it loose and charmingly sloppy. BSS fans never know what to expect from a live show, except that it will be the most unique and unpredictable show of the season.

With "Ungrateful Little Father" I can't help but hear echos of Wilco's "Yankee Hotel Foxtrot" not only sonically but lyrically as well.

Side C opens with the driving beat of "Meet Me In The Basement", a epic instrumental that leads into the more melancholy "Sentimental X's". Which leads to the even more subdued "Sweetest Kill" an obvious standout from this album.

"Water In Hell" is BSS at their best, seeming to indulge every Rock & Roll instinct they possess before winding down for the closing "Me and My Hand". An excellent album by an excellent super-group, I would recommend you pick it up.

Album - B+

Vinyl - A (A nice double LP set on excellent sounding vinyl. Also comes with the download codes for the entire album, plus a CD EP).

The Tallest Man On Earth - "The Wild Hunt"

The Tallest Man On Earth - "The Wild Hunt" Vinyl LP

Dead Oceans DOCO40

Original Release - 2010

"Oh meet me when the morning falls on the fields of desire" sings The Tallest Man On Earth aka Kristian Matsson, on the closing of track of "The Wild Hunt" called "Kids On The Run". If this lyric sounds like something you might be interested in, please read on...

Kristian Matsson is on the run. A modern day troubadour, who has been compared to Bob Dylan one too many times. I'll attempt to set the record straight, yes, he does remind me of Bob Dylan but his purpose is not to be an imitator. In fact, he channels many artists on this sophomore release, including Van Morrison and Bruce Springsteen with amazing results. The element of "The Wild Hunt" that works so well for him is he is true to his voice, and he is true to his path.

Full of beautiful imagery, Scandinavian myth, and the thirst for adventure, "The Wild Hunt" flies by in a flash. This is beautiful folk music, from "You're Going Back" where Matsson sings "I could roll you to hell, I could swim from your heavens" to the rollicking "King of Spain", to the undoubtedly Springsteen inspired "Kids On The Run". This closing track sounds something akin to a subdued B-side from "Born To Run".

The thing I like best about this album is that Matsson seems to effortlessly convey the beauty of an adventure and its landscape with his words and music. His phrasing is perfect, and his voice is just weathered enough, and not overly produced. I cant wait to hop a train and take another adventure with The Tallest Man On Earth.

Album - A -

Vinyl - A - (includes download codes)

The Rolling Stones - "Exile On Main St" Anniversary Edition Vinyl Remaster

The Rolling Stones - "Exile On Main St" 2x LP 18o Gram Vinyl Edition

B0014203-01

UMe

Original Release - 1972

Anniversary Release - 2010

Producer - Jimmy Miller

Recorded - Chateau Nellcote, France

Mixed - Sunset Sound, Hollywood California

18 Tracks to Redeem Your Soul

Everyone knows the story. By 1972 The Stones were literally exiles. Leaving the UK to evade heavy taxation they set up shop in the south of France to record what would come to be known as "Exile On Main St". This album is not only known as the greatest album in the Stones catalogue, but one of the greatest in the history of rock & roll.

Chateau Nellcote was the home to the majority of the fractured recording sessions. Often taking place in the muggy basement, these drug fueled recording sessions often lasted all night.

During 1971-1972 the exiled band mates were literally on the run. On the run from the oppressive taxation in their home country, on the run from the police in France, and on the run from their own personal demons they imported to Nellcote.

The whoring, boozing, drugs and general debauchery is evident throughout the album, especially side A. The famous down beat from Charlie Watts starts "Rocks Off" with a bang. What follows is 66 minutes of blues soaked rock & roll that plays more as a soul revival than album. With Keith Richards at the creative helm, side A flies by with heartfelt beats, Delta blues style guitars, and a soulful bass line from Wyman. "Tumbling Dice" takes center stage as a mid tempo ode to life in the fast lane: "Always in a hurry, I never stop to worry, Don't you see the time flashin' by. Honey, got no money, I'm all sixes, sevens, and nines".

Side B opens with the bluesy classic "Sweet Virginia". This may be as delicate as The Stones get, but interestingly enough it makes for just as thrilling a listening experience as their uptempo classics. With "Sweet Virginia" you get the sense that this band is a fighting band, they may have been on the ropes, but they will not give in. Mick Jagger's ragged vocals and harmonica add substance to this track, but its the bass line and honkey tonk piano that brings this track to life. Near the end you get the sense that you have been up all night, maybe all month. Strung out and determined you still have miles to go before you sleep.

With "Torn & Frayed" we have Al Perkins on steel guitar (nice touch) and Mick Taylor on bass. A classic Stones rocker, "Torn & Frayed" displays The Stones and their love for American music, especially the Delta Blues. You don't have to look far to see the influence of American blues masters, as it is evident on every track. This is a true "bucket of blood" album. Strap yourself in and prepare for a ride.

There are few albums where the studio shines as an instrument. With "Exile On Main St" you can hear the room, and it adds such texture to the experience, especially the percussion on "Black Angel". This is brought to life by the vinyl remaster which (thankfully) enhanced the recording without washing away the character and imperfections that make this album perfect.

Side C opens with the Keith Richards song "Happy". Written and cut during some of "Exile's" most turbulent sessions. By this time Richard's heroin use was affecting the entire band, but out of this conflict emerged a sweaty, push and pull rock album for the ages.

"Shine a Light" the best track on side D and a contender for best track on the album has Billy Preston tickling the ivories (yes, that Billy Preston) and Mick Taylor on bass. This track brings the album full circle, though "Soul Survivor" closes the album, this is the emotional conclusion to "Exile On Main St".

If we are to trust the lyrics of "American Pie", that rock & roll can indeed save our soul, one must start with "Exile On Main St". Though this an "imperfect" album, made by "imperfect people" it is out of the ashes that this album rises to lay legitimate claim to the title of greatest rock album of all time.

This Anniversary edition vinyl is pressed on 180 Gram black vinyl and comes in a replica of the original vinyl release. There are no bonus tracks on the vinyl edition, but Stark The Vinyl Shark has acquired the bonus tracks which include "Plundered My Soul", "I'm Not Signifying", and alternate takes of "Soul Survivor" and "Loving Cup". An interesting look back at hidden gems from one of the most infamous recording sessions in the modern rock era. The vinyl sounds great, if not slightly compressed (what did you expect) and will serve as a fine play copy until I can track down a original.

Album - A+ (This is JCSTARKvinylblog history in the making, so savor this moment Mr. Reid)

Vinyl - B

The National - "High Violet" Vinyl LP

The National - "High Violet" Vinyl LP (2x 18o Gram Vinyl)

CAD 3XO3

4AD

Producer - The National

Original Release - 2o1o

This is a front runner for album of the year, right out of the gate. May 2o1o has been more than generous to music lovers, and we are only 1/2 through the month. With "High Violet", The National return with their 5th set of songs: its arguably their best.

The National is a band you won't quite be able to explain, is it the powerful yet delicate baritone of Matt Berninger? The blistering chorus or guitars? Or even the lyrics, which manage to be sad, hopeful, funny and horrifying all at once? Its ultimately up to the listener to decide, but if you find yourself with a (hopefully legally acquired) copy of this album, know you are ahead of the curve.

The National have released some incredible albums. "Alligator", "Boxer", and now "High Violet" complete a (unofficial) trilogy of (almost) flawless music making. Its a mixture of Johnny Cash and Arcade Fire that will leave your ears buzzing, and hanging on ever phrase presented to you. It is a trilogy that can be appreciated on many different levels, all at one time. "High Violet" touches on many themes, many of these themes we can all relate to, and there are some we cannot. There are lovers, bars, imagery that will blow your mind ("Bloodbuzz Ohio"), and yes there are zombies.

"Its a terrible love, and I'm walking with spiders" opens "Terrible Love", probably the best track one side one of The National's catalogue. You know when you hear those words sung with that voice, you are about to embark on a journey. Don't worry, Mr. Berninger will happily take you on a guided tour of his fears, regrets, and moments of triumph. Its a journey worth taking.

This record is what Stark The Vinyl Shark likes to call a slow burner. Case in point: "Sorrow", "Lemonworld", and "England". The National will never take you by the neck and shake you, but if you listen closely, the songs begin to build like a fire and before you know it the thought of leaving your single life for one dedicated to small people who wholly depend on you sounds like the most horrific yet satisfying transition life has to offer.

The shining moment "High Violet" has to offer comes on side B with "Bloodbuzz Ohio", which is probably my favorite song not only off the album but of The National's entire library. Take a listen and prepare to be taken away, and epic track that proves The National is one of the best bands in America today.

Here we have the first clear cut front runner for album of the year 2o1o, though its only May, there have been many strong releases, I can't wait to hear what the rest of the year has in store. This double LP is housed in an amazing heavy duty gatefold, its pressed on black 18o gram vinyl, and the sound is terrific. It also comes with the download codes for the entire album.

Album - A-

Vinyl - A-

The Hold Steady - "Heaven Is Whenever" Vinyl LP

The Hold Steady - "Heaven Is Whenever" Vinyl LP

VR 595

Vagrant Records

Original Release - 2010

First I must admit that I am a huge fan of The Hold Steady. I am always excited when they release an album, and for me to criticize them is very hard. So I will try my best to give an even handed review of their newest release "Heaven Is Whenever".

A new Hold Steady album must first be judged against the previous releases from this Minneapolis via Brooklyn rock band. Its hard to beat the trilogy of "Almost Killed Me", "Separation Sunday", and "Boys & Girls In America" the latter being my favorite album of the last decade. The against all odds characters, and thrilling musicianship presented in these albums made The Hold Steady critical and fan favorites. With "Stay Positive" the group moved into more theatrical territory while still staying true to their anthemic refrains. With "Heaven Is Whenever" The Hold Steady have made their most introspective album to date, a more mature and calculated release. Craig Finn said this album would be less anthemic than previous releases and to a point he is correct. The bar anthems are still here, I'm looking at you "Hurricane J", "Rock Problems", and "We Can Get Together" but the majority of the album is The Hold Steady meets Stones circa "Exile On Main Street" meets classic Bruce Springsteen & The E Street Band. This isn't a negative, and our boys are not in danger of crossing the "Dad Rock" line as Wilco did with their release 'Sky Blue Sky". I feel this is the obvious progression artistically for the band, a reflection point for the last ten years and four albums.

"Heaven Is Whenever" has a promising start, "Sweet Part Of The City" which is Finn and Kubler doing their best Jagger/Richards "Exile On Main Street" groove. Old School fans will notice this sounds a lot like "Charlemagne In Sweatpants" of "Separation Sunday". We can welcome back Tad Kubler on guitar in "Soft In The Center", which boasts power chords that will surely burn down First Avenue sometime this summer, also a killer solo where Tad totally slays it. Here we are met with the first lyrics of reflection and advice from Craig Finn, a theme that is present throughout this album. The first of the anthemic, classic Hold Steady rockers is "The Weekenders", which will surely be a live favorite for old and new fans alike. "Rock Problems" features classic punk influences, and guitar riffs that seem just a little to easy when compared to previous offerings.

"We Can Get Together" basically sums up the philosophy of the band, the same characters are present, but with different names. The hoodrats, and the townies, the passers-by and the not so innocent girls of previous albums, though their stories seem more muted than we are used to. The lyrics in this album seem more observational, and less street level than before, but whats new here is not necessarily negative. "Hurricane J" will probably be the track of Summer 2010, a hard rock offering with a final thirty seconds that will blow your mind. The Hold Steady is known for having killer closing tracks, from "Killer Parties" to "Slapped Actress", this album is no different, it closes with "A Slight Discomfort" which slowly builds into a crescendo of backing vocals and military style drumming from Bobby Drake. It fades to the sounds of a midwestern night, calm and peaceful. I hope this sense of calm is only a breather, and not a sign the boys are content with their current situation.

This album is housed in a glossy case and includes lyrics sheet. It is 180 gram vinyl that sounds very nice, it also comes with the mp3 download codes.

Album - B

Vinyl - A

She & Him - "Volume Two"

She & Him - "Volume Two" Vinyl LP

MRG354

Original Release 2010

At the start of "Me And You" Zooey Deschanel sings "Well I'm back in your good graces again", I'm not sure she ever wasn't. The easy breezy duo of indie-pop Zooey Deschanel and M. Ward are back for another album of fun in the California sun with "Volume Two". What works here on "Volume Two" is exactly what worked on "Volume One", which is part of the problem. With lyrics penned by Deschanel and orchestration and production by M. Ward, this collection of songs never really leaves the comforts of "Volume One".

Yes, Deschanel (who almost singlehandedly represents the current indie movement) has a great sultry voice, but it's a voice I almost don't believe. After a listen to this you can hardly blame the poor Joseph Gordon-Levitt for falling for Summer in the fantastic Sundance Selection (500) Days Of Summer. Yet, at the core of these salty and sunny songs is Deschanel, who sounds like she has exclusively broken hearts for a living since 1996. Which isn't a weakness per se, except its almost exactly the formula that made "Volume One" so refreshing.

I love the feel of this album, at the right time, and the right place. The vintage packaging and artwork is classic Deschanel, but the overall experience is nothing more than a sequel to their first effort. A little more creative direction would have worked wonders here.

Album - C+

Vinyl/Packaging - A (Sounds and looks great).

The Flaming Lips, Star Death & White Dwarfs With Henry Rollins and Peaches - "Dark Side Of The Moon"

The Flaming Lips, Star Death & White Dwarfs With Henry Rollins and Peaches - "Dark Side Of The Moon" Vinyl LP (Color Vinyl RSD Exclusive).

WB 523541-1

Original Release - 2010

OH MY GAWD ITS THE FLAMING LIPS!

Finally getting around to cracking some of these vinyl exclusives open from RSD last weekend. I have been on a long and strange trip with The Lips this afternoon and can't wait to tell you all about it. I was a little concerned going in, since Dark Side Of The Moon is one of my all time favorite albums, but now I know if anyone had it in them, it's The Lips. While staying true to the original, The Lips and Co. have etched out a sonic tribute that I think Floyd, and the always hard to please Floyd fans can be proud of. While "Speak To Me" is a faster tempo than the original, its still feels right with The Lips at the helm, awkward, crazy, and a warning of things to come its the perfect lead in. The Lips and Co. sound at ease with "Time", and its hard to believe the original could be improved on, I like how the "Breathe Reprise" brings us right back to the tempo we started at. Did I mention this pressing (Seafoam Green Vinyl) kicks ass? The sound is amazing, I can't wait to compare it to my MFSL pressing of "Dark Side Of The Moon". "Great Gig In The Sky" featuring Henry Rollins and Peaches is the perfect conclusion to side one, this is one of those rare covers thats actually worthy of the original.

"Money" sounds dirty and grungy at the start of Side Two, and the robotic/futuristic voices add an extra kick to this classic track. What I like most is they didn't try to do too much here, they just added some Lip's flair when needed, and let the creative genius of Roger Waters speak for itself.

"Us And Them", my favorite track of "Dark Side Of The Moon" is not more beautiful than the original, but is damn close. Like a brilliant starry night, this album will continue to open the minds of each generation that discovers it. Now we have an alternate take, provided by arguably this generations most creative groups.

This album is housed in a heavy duty gatefold (gorgeous) and includes a CD of the entire album (Bonus!). The heavy-weight vinyl is Seafoam Green (in my case) and sounds incredible, my ears have been enjoying the brilliant sound all day. If you can find one, pick one up, you will hopefully love it as much as I do.

Album - A-

Vinyl/Packaging - A

Bob Dylan - "The Freewheelin' Bob Dylan"

Bob Dylan - "The Freewheelin' Bob Dylan" (180 Gram Vinyl)

Columbia/Sundazed LP 5115

Original Release - 1963

Two things I need to get out of the way:

1. I'm reviewing Dylan vinyl while listening to The Sex Pistols, try it sometime. I feel like I have hit a creative groove with Sid's interpretation of "My Way" on, brings back memories of one of the finest films ever to hit the silver screen: "Goodfellas".

2. Some readers have expressed concern over my grading system. To some, I seem to give high scores... all the time. Well, I think the best way to explain this is I listen to excellent music, and how can you not give A's to classics like "The Freewheelin' Bob Dylan"? I think its against the law, I haven't checked, but I'm pretty sure.

Lets start with the iconic photograph that graces the cover, by Don Hunstein. This is an iconic photograph if there ever was one, Dylan and a companion walking together in the snow filled streets of NY. I bet you can picture it just from that description.

Photographs of Dylan, especially in the 60's will tell you a lot about the man, and the legend. Any photo of him walking is especially interesting to a fan like me, because though he hails from Minnesota, the man was from everywhere. He was freewheelin' for heavens sake, I mean it tells you in the title of the album. Thats how icons become legends, I'm not sure which of the Dylan legends are true and which are false, but I don't care, he is an American legend and the tales simply add to the mystique.

Look no further than "Blowin In The Wind", one of my favorite "track one, side one's". Dylan asks his famous rhetorical questions here, but when looking back on his (seemingly endless) career, its actually the idea of him that blows in the wind, he seems to have been everywhere at once. I'm wondering why we have been at war for as long as I can remember, yet not a single living artist can write a great anti-war anthem like "Masters of War", save for maybe Neil Young.

Stark The Vinyl Shark's favorite Dylan song (well tied for #1... don't make me choose) closes side one, "A Hard Rain's A-Gonna Fall". Written during the Cuban Missile Crisis, its a brilliant song that consists of many beginnings. Listen to it an you will know what I mean, the imagery is second to none.

Side two consists of classic Dylan folk, "Don't Think Twice, It's Alright" has more layers than you think, and the simple "Corrina, Corrina" will make you wish this album was twice as long. The album closes with the iconic "I Shall Be Free", which if you feel like doing some digging, is a beautiful live track on the Dylan/Band live album "Before The Flood".

I haven't been overly impressed with the Sundazed remasters in the past, but this one is pretty good. Its pressed on 180-gram black vinyl, and is housed in excellent replica packaging. The back includes liner notes from Nat Hentoff. If you are still searching for an original like I am, this would be a nice place to start.

Album - A

Vinyl - B

Arcade Fire - "Funeral"

Arcade Fire - "Funeral" Vinyl Lp

MRG255

Original Release - 2004

What can be said about this album that hasn't already been said? I'm not coming up with anything.

Thanks to The Dave Man for introducing this beautiful album into my consciousness. Like I have said many times before, there are just some albums and artists I am totally aware of, yet I just don't get around to checking them out. I'm glad I have been introduced to Arcade Fire, what a sweeping, emotional, and stunning album we have here.

Win Butler and Regine Chassagne are the couple at the heart of Arcade Fire. They are married, and each experienced significant loss during the same time in 2003. By any account it was a dark time for the both of them, and "Funeral" is the result. "Funeral" is a sweeping album, and the first time I listened to it, it left me with a sense of satisfaction rarely achieved by these ears. Especially after only one listen.

The lyrics though steeped with the sense of loss and uncertainty, are simply beautiful. Beautiful in the same heartbreaking way that made Ryan Adam's "Heartbreaker" a personal favorite. Its simple and effortless communication, and the musicality is creative, exciting and always interesting. On "Wake Up" Win Butler sings "...Somethin' filled up my heart with nothin', someone told me not to cry. But now that I'm older, my heart's colder, and I can see that it's a lie" - I truly believe him.

This album never wastes a second, every track is what your soul yearns for next. A haunting and memorable modern masterpiece that will no doubt stand with the best of the era. This is not simply a "sad" album, it manages to in a single song take the listener on a journey of pain and loss, yet the light at the end of the tunnel is always in the distance. Regine's haunting and beautiful voice on "In The Backseat" is the perfect example "Alice died in the night. I've been learning to drive. My whole life, I've been learning" - We all have experienced loss, but the darkness does not last forever.

This vinyl release from Merge is a 180 gram edition, that looks and sounds great. The packaging is excellent, a beautiful and ornate gatefold holds this album, and included is a anti-static sleeve and lyric sheet.

Album - A

Vinyl - A

Sonny Boy Williamson & The Yardbirds - "Live At The Craw-Daddy Club"

Sonny Boy Williamson & The Yardbirds - "Live At The Craw-Daddy Club" Vinyl LP

SR 61071

Mercury

Original Release - 1966

This is why I love vinyl. I love the search, the surprise finds, and the pure joy of finding a gem from 1966 to bring home and enjoy. Thats what happened here with this blues classic. A live album, featuring the legendary Sonny Boy Williamson, and the equally legendary Yardbirds as his backing band.

When I listen to blues music, I prefer live albums, as I feel they are a better representation of the emotion and power of great blues music. This recording is no exception, the crowd is obviously enjoying seeing two legendary acts on stage, a meeting of talent that is rarely seen live. The Craw-Daddy Club is bustling with activity, thunderous applause and a sense of appreciation for the blues music they are enjoying.

Sonny Boy Williamson gives an impassioned performance, though he was at that time, beginning to see the end of his career approaching. The Yardbirds on the other hand were Britain's next big thing, giving rise to the promising careers of Eric Clapton, Jeff Beck, and Jimmy Page.

This album has been deemed the "re-birth of the blues" and I think that description is spot on, especially when listening to tracks like "Bye, Bye Bird", and "Out of Water Coast".

I would recommend this recording to anyone who wants to add some classic, hard to find blues to their collection. Its a new cornerstone of mine, like that perfect drive in a round of golf, finding this album fuels your desire to track down more.

Album - A-

Vinyl - B- (Note, this is a pretty rare LP, and though its not in perfect condition, I could not leave it at the shop. I am willing to sacrifice perfect fidelity for the chance to own this rare blues recording.)

Jefferson Airplane - "Surrealistic Pillow" Vinyl LP

Jefferson Airplane - "Surrealistic Pillow"

AYL13738

Original Release - 1967

Through the history of Rock & Roll there has always been a certain class of albums, benchmarks of a generation, that could stand with the greatest works of art in any of this worlds great museums: "Surrealistic Pillow" is one of these hallmarks of American Rock & Roll. An album that almost single handedly sums up the sounds of a generation of musicians, about to change the world forever. If there is a band, or an album, that can transport the listener immediately to the Haight-Ashbury district of San Francisco during the cultural revolution during the 60's, this is it.

To understand this look no further than "Somebody to Love". A song so intertwined with the cultural revolution, it instantly brings to mind visions/memories of flower children, magic buses and the feeling that things were about to change. It has almost been used to a fault in Hollywood portrayals of the era, since I can hardly recall a movie that takes place during this time that doesn't use this song in the soundtrack.

Though not an original member of Jefferson Airplane, its hard to imagine the band without Grace Slick, who provides the haunting vocals on the two stand out tracks "Somebody to Love" and "White Rabbit". Her voice coupled with the musicianship and experimentation of Paul Kantner, Jorma Kaukonen, Jack Casady, Spencer Dryden, and Marty Balin provide the listener with a kaleidoscope of 60's folk/psychedelia that will transport you to a different time, and a different place.

Production credits for "Surrealistic Pillow" are given to Rick Jarrard, but Jerry Garcia of The Grateful Dead is listed on this version as a spiritual advisor. Its easy to feel Garcia's presence during this album, for it features a similar mood to studio recordings of The Dead, especially "American Beauty".

"3/5 of a Mile in 10 Seconds" has Jefferson Airplane at their up-tempo best, with sounds that are now considered classics of the era. "D.C.B.A" gives us classic, dreamy California pop, for cool evenings while "White Rabbit" portrays a different side of the sunny California vibe, a much darker and experimental psychedelic song, most often associated with the use of drugs.

The obvious stand out on side A is "Somebody to Love", but if you go back, its hard to ignore how tracks like "Today" and "Comin' Back to Me" have stood the test of time.

It doesn't matter if you lived through it or not, these albums are a ticket to a different era. Once you drop the needle on "Surrealistic Pillow" its hard not to imagine what San Francisco in 67' looked like, sounded like, and felt like.

Album - A

Vinyl - B-

Isaac Hayes - "Hot Buttered Soul" Vinyl LP

Isaac Hayes - "Hot Buttered Soul" Vinyl LP

STX-4114

Original Release - 1969

I have been trying to track this beauty down for a while and I finally found it a few days ago. This is "Hot Buttered Soul", the Isaac Hayes Motown classic, an essential vinyl contribution to anyones collection. This is the type of album you must listen to on vinyl, I have passed up many opportunities to buy the CD because that would be cheating.

There are only 4 tracks on this album, but its quality over quantity, plus half the songs are over ten minutes long. The classics "Walk On By" and "Hyperbolicsyllabicsesquedalymistic" grace side A and on side B is "One Woman", and "By The Time I Get To Phoenix".

This album is full of funky grooves and heartfelt ballads from Isaac Hayes. It is one of many classics to come from Stax Recordings, and while Isaac Hayes is usually known for the Theme From Shaft, this album will show you he is much more than that.

This vinyl re-issue is pressed on standard weight black vinyl, and while the vinyl sounds good, I was not blown away with the sound quality. I will continue to search for an original or the much sought after Mobile Fidelity Sound Lab pressing.

Album - A

Vinyl - B

The White Stripes - "Under Great White Northern Lights" Vinyl LP

The White Stripes - "Under Great White Northern Lights" 2xLP Vinyl

TMR-O15

Third Man Records

Original Release - 2010

I'm a live album freak, and by now you know that. So I jumped at the chance to have The White Stripes melt my face on live wax. This double LP live set acts as a soundtrack of sorts to the documentary film "The White Stripes Under Great White Northern Lights" which is being shown at the SXSW festival in Austin this year. If you don't already know the backstory, this documentary follows The White Stripes on their Canadian tour of 2007, mostly playing small towns and communities along the way.

This sixteen song set gives the listener a nice feel for the career to this point of Jack and Meg. Most of the songs are played at TWS usual blistering pace, but they manage to simmer down to a smoldering pace for a few tracks. "Blue Orchid", "I'm Slowly Turning Into You", and "Seven Nation Army" all hit you like a punch to the gut. Jack really digs deep on "Jolene" and TWS show their more vulnerable side on "We Are Going To Be Friends". At any rate, this live set is a must have for any fans of TWS, even late bloomers like myself.

Interesting note, this album is being released by Jack's record label: Third Man Records, which is a return to the "old school" label of yesteryear. TMR releases most of their talent's music on vinyl, and also releases 7'' singles. I recently read in Rolling Stone Magazine, that when TMR releases a new 7'', the line is stretched around the block. Way to go Jack, way to go.

Album - A-

Vinyl - B

Jimi Hendrix Double Post

The Jimi Hendrix Experience - "Electric Ladyland" 2 LP (2010 Remaster)

88697 62398 1

Experience Hendrix/Legacy

No. 1,772

I was skeptical about these Jimi Hendrix remasters until Sam down at Randy's Records told me they were the real deal. They certainly are. The entire Hendrix studio library has been re-released and remastered from the original source tapes on CD, and vinyl. I have been able to pick up "Electric Ladyland", "Valleys of Neptune" and "Are You Experienced".

"Electric Ladyland" is the the third album from The Jimi Hendrix Experience and it was released in 1968, at the hight of the counterculture revolution. By 1968, Hendrix was already a cultural icon, known for his revolutionary guitar style and psychedelic musical stylings. "Electric Ladyland" was released with considerable success, and includes classic Hendrix tracks like "Crosstown Traffic", "Voodoo Child (Slight Return), and "All Along The Watchtower".

I'm ashamed to say it, but before this I really only listened to Hendrix on MP3 (terrible, I know). So I expected to notice a difference in the sound quality. I was shocked at the improvement, not only does the vinyl sound great, but I feel like I am listening to the albums for the first time (well in the case of "Valleys of Neptune" I am). The sound is amazing, and the detail on tracks like "Voodoo Chile", and "Still Raining, Still Dreaming" is nothing short of a revelation. The mixing sounds great and balanced, the low end is much more present that in the CD or mp3, and his voice sounds much more pronounced and authentic. Like I have said before, the hallmark of an excellent vinyl pressing is feeling like you are sitting in the studio, and listening to this puts you right there in London with him.

This pressing of "Electric Ladyland" is numbered (Mine is 1,772) and is housed in a double LP gatefold with a booklet included. The booklet has liner notes, and pictures of original letters from Hendrix to his record company regarding the cover art. The vinyl is pressed on 180 gram black vinyl that sounds great, it really brings these recordings to life, and they jump out of your stereo. I could not be happier with these remasters, and they are very affordable. Recommended.

Album - A

Vinyl - A

The Jimi Hendrix Experience - "Are You Experienced" Vinyl LP (2010 Remaster)

88697 62395 1

Experience Hendrix/Legacy

No. 4,568

"Are You Experienced" was the first album released by The Jimi Hendrix Experience in 1967. This is one of the iconic albums of the time period, and is regularly referenced in various "greatest" album polls and lists. This is one of the albums that helped define a generation. I am a huge fan of the introduction of this album on the back cover:

Be forewarned. Used to be an Experience meant making you a bit older. This one

makes you wider. With the assistance of Mitch Mitchell (on drums) and Noel Redding

(on guitar), Jimi Hendrix breaks the world into interesting fragments. The reassembles

it. You hear with new ears, after being Experienced. Those who've only seen him

perform know only part of This Experience. They rave about a young man who

plays a guitar in more positions than anybody before him. Now, this debut album will

put the heads of Hendrix' listeners into some novel positions.

Be forewarned.

I wish a band today would put something half as cool on the back of an album. This album is indeed an Experience in every sense of the word. It is an example of an album that was made and released during a time in history when the "album" in a traditional sense was king. An exploration of ideas and themes through music.

"Are You Experienced" contains some of the most recognizable Hendrix tracks recorded during his short time on earth: "Purple Haze", "Hey Joe", "Fire", and "Foxey Lady". It also contains "The Wind Cries Mary" which is a classic Hendrix track that has been beautifully restored here on this vinyl remaster. My favorite track here is "Are You Experienced" which has been restored beautifully, its warm and full, a track to convert your friends to vinyl with for sure.

This remaster is housed in heavy duty cover that is colorful and vibrant, the vinyl is pressed on heavy duty black 180 gram vinyl and as with "Electric Ladyland" sounds stellar. I would recommend these to anyone who A) loves Hendrix or B) Is new to Hendrix but wants to explore him more. Recommended.

Album - A

Vinyl - A

Otis Redding - "In Person At The Whiskey A Go Go"

Otis Redding - "In Person At The Whiskey A Go Go" Vinyl LP

LP 5133

Sundazed

Original Release - 1968

Reissue Release - 2003

Otis has soul. I think saying Otis defines soul would be more appropriate. I'm a huge live album nut, this is one of the best I own. This live set from LA in 1966 smokes, its filled with the natural energy Otis Redding brings to the stage. A stage he shares with a few other musicians (a few saxophones, trumpets, bass, lead guitars and some back up singers).

Out of the gates we have "I Can't Turn You Loose", "Pain In My Heart", and by "Just One More Day" you are hooked. His original songs are some of the best soul songs ever recorded, and his covers are simply dazzling. He covers the Stones on Side A "(I Can't Get No) Satisfaction" and James Brown on Side B "Papa's Got A Brand New Bag".

This live album is what Rhythm & Blues is all about. His style of singing is legendary, its hard to imagine someone preforming at this level, especially with Bob Dylan in the audience. I have just recently expanded my listening selections to include the soul classics (there is just so much out there to listen to) and I can't wait to get some more classic Otis recordings.

This Sundazed reissue is a fairly inexpensive way to get acquainted with Otis Redding. It is standard weight black vinyl that sounds pretty nice. Live albums have never been the best sounding LP's but this one holds its own. There is some nice low end on this album, given the killer rhythm section, and it really shows through on vinyl. I am planning on tracking down an original, that is if I can ever find one!

Album - A

Vinyl - B

Buddy Miles - "A Message To The People"

Buddy Miles - "A Message To The People" Vinyl LP (Original)

SRM 1-608

Mercury

Original Release - 1971

Buddy Miles was a Bad Man, I mean that in the best way possible, like when referring to Shaft. This release from 1971 has Buddy Miles and his band firing on all cylinders, blending soul, funk, and Rock & Roll with amazing results.

You may know Buddy from his work with Jimi Hendrix, or other greats of the era, but here in "Message To The People" is Buddy Miles with his band, simple as that sounds, its amazing. Within this album lies a treasure trove of wicked guitar solos, bright brass, and smoldering drum rhythms.

For pure power, I'm partial to the opening track: "Joe Tex". I also absolutely treasure the Allman Brother's cover "Midnight Rider". Its a true tribute cover, that carves out its own style, my favorite track on the album by a mile, and that's saying something. If you like Sly & The Family Stone, Funkadelic, or Jimi Hendrix you will love this album.

This original LP from 1971 is housed in a heavy duty gate-fold, its standard black vinyl (in very good condition) and the artwork is super cool all around. Highly recommended if you can find one.

Album - A (If I gave A+ ratings this would be a contender). Pure Magic.

Vinyl - A (Sounds great for being from 1971) Love It.

Beach House - "Teen Dream"

Beach House - "Teen Dream" Vinyl LP

Sub Pop 845

Original Release - 2010

So this has 2010's most beautiful Indie album on lockdown. It will remain to be seen if it can claim the top album of 2010, especially with some strong and anticipated released coming this summer.

This album is simply beautiful, its easy to get lost in the psychedelic, dreamy soundscapes Beach House presents. It's hard not to imagine a foggy, misty landscape, but when the music emerges and crescendos as it does in "Used To Be" the fog lifts, and presents the listener with a bright, sun soaked landscape.

I had a great conversation with Anna down at the wonderful Slowtrain music shop in Salt Lake City about Beach House. I told her that I stayed away from this album do to the hype (I still haven't heard Animal Collective) because I didn't want to be disappointed. Well, no disappointment or let down here, this is a stellar release. The instrumentation is spot on, with elements of shoegaze, tween pop, and psychedelia its fun to hear all the different influences that are present. My favorite, and the most recognizable influence here is My Bloody Valentine, something that Beach House uses with grace and elegance, never plagiarizing but always paying tribute.

Some of my favorite tracks on this album are "Silver Soul", "Norway", "Used To Be" and "Take Care". I would recommend this album to all the readers out there, its something you will not want to stop listening to. I always seem to play it twice in a row.

For all the enthusiasts out there, this release from Sub Pop is super deluxe. This is a double LP, nice sounding black vinyl, housed in a beautiful gate fold cover. With this album is the download codes for the full album online, and a DVD of (super sweet, and trippy) music videos. It also includes a lyric sheet that doubles as a poster.

Album - B+

Vinyl - B+

Marvin Gaye - "Let's Get It On"

Marvin Gaye - "Let's Get It On" 1973 Original Pressing Vinyl LP

T329V1

Original Release - 1973 (Motown Record Corporation)

Lord, Have Mercy...

As I have written in past postings, the mark of a great vinyl listening experience is when you find a gem, start up the turntable, and begin laughing when the sound fills the room. This was my exact experience this morning when I dropped the needle on Marvin Gaye's Motown classic "Let's Get It On".

I found this original pressing at a local record shop after work last night and knew I had to bring it home. I passed up some really great buys too, but I will be going to record store heaven (Austin, TX) in a little over a week, so I have to keep the spending under control. This LP simply shines, each note and rhythm is so clean, so immediate, dare I say sexy? I do. From the opening track of "Let's Get It On" to the closing track "Just To Keep You Satisfied" Marvin holds the listener captive with his magnum opus.

Now, I am also a fan of "What's Going On" but for unadulterated soul, infused with the spirit of blues, gospel, and jazz music this album is another cornerstone of my collection. The album is the definition of cool, and so was Marvin. His voice is so recognizable, and his contributions not only to the genre that is soul/Motown music, but also to rock & roll.

From the iconic cover art, to the beautiful sounds inside, this album is a must own for any vinyl fanatic. I plan on also purchasing the MFSL remaster, but only because I am a completist. This original pressing still sounds stellar, the vinyl is in great condition and so is the gatefold that houses it.

Album - A

Vinyl - A

The Beatles - "Magical Mystery Tour" MFSL Remaster

The Beatles - "Magical Mystery Tour" Mobile Fidelity Sound Lab Remaster

MFSL 1-047

Original Release - 1967

MFSL Release - 1980

My Beatles vinyl collection is definitely lacking at this point, only three titles, but this Mobile Fidelity Pressing of "Magical Mystery Tour" is a great addition to the growing list of titles. Now there are a lot of stories floating around about these Mofi remasters, basically your guess is as good as mine. I know that technically, all or part of the Mofi remasters are bootleg recordings. And on this album, I know that the last two tracks "Baby You're A Rich Man", and "All You Need Is Love" are not true stereo recordings... but who cares, this album is sweet.

This album features two of my favorite Bealtes songs: "Penny Lane" and "Strawberry Fields Forever". The Japanese pressed vinyl is pretty light, but the sound quality is excellent. I would expect nothing less from the folks at Mobile Fidelity Sound Lab. The vinyl is housed in a heavy duty gatefold, and the copy I bought included all the original inserts and brochure information, I thought that was pretty fun to look at.

Album - A

Vinyl - A